OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 20 shown for “Giuseppe Caletti, called Cremonese” — 48 records examined, 20 dropped by the rights gate.
Archives queried 2026-09-06 09:45 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Delilah holding Samson's hair and a pair of scissors
Giuseppe Caletti, called Cremonese · 1620–30
Head of a Soldier
Artist not stated in the record · ca. 1760–1780
David looking at the head of Goliath
Giuseppe Caletti, called Cremonese · 1620–30
Study: The left arm and the neighboring parts of the body of an elderly man
Giuseppe Marchesi, called Il Sansone, Italian, 1699 – 1771 · 1725–1770
The Beheading of Saint John the Baptist
Giuseppe Caletti, called Cremonese · 1620–30
Portrait of a Man, Giuseppe Valadier
Jean-Baptiste Joseph Wicar, French, 1762 – 1834 · 1825–27
Saint Roch, kneeling on a stone, seen from the side with his dog behind him and a townscape in the background at left
Giuseppe Caletti, called Cremonese · 1620–30
Portrait of Giuseppe Chialli (active 1800-1839)
Artist not stated in the record · ca. 1860
A sainted bishop of the Benedictine order kneeling towards the right and pointing at the heavens
Giuseppe Caletti, called Cremonese · 1620–30
Candlestick
Giuseppe Barberi, Italian, 1746–1809 · late 18th century
Delilah holding Samson's hair and a pair of scissors
Giuseppe Caletti, called Cremonese · 1620–30
The temples of Apollo and Diana built for the first day of the fireworks at SS. Peter and Paul by Paolo Posi
Artist not stated in the record · 1763
Saint Roch, kneeling on a stone, seen from the side with his dog behind him and a townscape in the background at left
Giuseppe Caletti, called Cremonese · 1620–30
Portrait of Giuseppe Bertolini (1804-1874)
Casanova Stabilimento Fotografico · 1874
David carrying the head of Goliath, which he holds by the hair
Giuseppe Caletti, called Cremonese · 1620–30
Frame
Giuseppe Valadier, Italian, 1762–1839 · ca. 1796
St. Clare on façade of S. Silvestro in Capite
Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 · ca. 1759–70
Chalice
Giuseppe Barberi, Italian, 1746–1809 · 1780–1790
Surtout de Table (Centerpiece) with the Temple of Isis in Pompeii
Artist not stated in the record · ca. 1800
Portrait of Giuseppe Diotti (1779-1846)
Artist not stated in the record · ca. 1820
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 8 matched · 8 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.8 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 14214 matched · 40 examined · 20 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-06 09:45 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.