OpenGlyph — Catalogue of the American Public DomainJurisdiction: United StatesRev. 2026.08
Images / art

Two archives, queried live.

Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Giuseppe Maria Bonzanigo” — 64 records examined, 4 dropped by the rights gate.

Archives queried 2026-08-27 08:33 UTC · fetched live for this request

Object
Public domainThe Met’s isPublicDomain field is true for this object.
CC0 (public-domain equivalent)Smithsonian’s metadata_usage.access reads CC0 — a waiver, not an expired term.
Not shownAnything failing its archive’s rights field is dropped server-side and never appears here.
Console table, by Giuseppe Maria Bonzanigo

Console table

Giuseppe Maria Bonzanigo · ca. 1782–92

Public domainThe Met
Portrait of Giuseppe Diotti (1779-1846)

Portrait of Giuseppe Diotti (1779-1846)

Artist not stated in the record · ca. 1820

CC0 (public-domain equivalent)Smithsonian
Cardinal Giuseppe Maria Feroni (1699–1767), by André Jean Lebrun

Cardinal Giuseppe Maria Feroni (1699–1767)

André Jean Lebrun · ca. 1767

Public domainThe Met
Adoration of the Kings

Adoration of the Kings

Artist not stated in the record · ca. 1710

CC0 (public-domain equivalent)Smithsonian
Monsignor Giuseppe Spina (1756–1828), by Angelica Kauffmann

Monsignor Giuseppe Spina (1756–1828)

Angelica Kauffmann · 1798

Public domainThe Met
The Circumcision

The Circumcision

Artist not stated in the record · ca. 1710

CC0 (public-domain equivalent)Smithsonian
Bathsheba at Her Bath, by Giuseppe Bartolomeo Chiari

Bathsheba at Her Bath

Giuseppe Bartolomeo Chiari · ca. 1700

Public domainThe Met
Coat of arms of Cardinal Vincenzo Maria Altieri, by Giuseppe Barberi, Italian, 1746–1809

Coat of arms of Cardinal Vincenzo Maria Altieri

Giuseppe Barberi, Italian, 1746–1809 · 1789–1793

CC0 (public-domain equivalent)Smithsonian
Campo Santa Maria Zobenigo, Venice, by Canaletto (Giovanni Antonio Canal)

Campo Santa Maria Zobenigo, Venice

Canaletto (Giovanni Antonio Canal) · 1730s

Public domainThe Met
Proofs of four plates of "Alfabeto in Sogno" [Dream Alphabet]: Letter K, by Giuseppe Maria Mitelli, 1634 – 1718

Proofs of four plates of "Alfabeto in Sogno" [Dream Alphabet]: Letter K

Giuseppe Maria Mitelli, 1634 – 1718 · 1683

CC0 (public-domain equivalent)Smithsonian
St. John the Evangelist, by Capodimonte Porcelain Manufactory

St. John the Evangelist

Capodimonte Porcelain Manufactory · ca. 1744

Public domainThe Met
Proofs for four plates of "Alfabeto in Sogno" [Dream Alphabet]: Letter G, by Giuseppe Maria Mitelli, 1634 – 1718

Proofs for four plates of "Alfabeto in Sogno" [Dream Alphabet]: Letter G

Giuseppe Maria Mitelli, 1634 – 1718 · 1683

CC0 (public-domain equivalent)Smithsonian
The Mourning Virgin, by Capodimonte Porcelain Manufactory

The Mourning Virgin

Capodimonte Porcelain Manufactory · ca. 1744

Public domainThe Met
Design for a Ceiling Decoration, by Giuseppe Maria Rolli, Italian, 1645 - 1727

Design for a Ceiling Decoration

Giuseppe Maria Rolli, Italian, 1645 - 1727 · 1690–1720

CC0 (public-domain equivalent)Smithsonian
Santa Maria della Salute, by Francesco Guardi

Santa Maria della Salute

Francesco Guardi · mid- to late 1760s

Public domainThe Met
Design for a Silver Candl, by Giovanni Bettati, Italian, 1700 – 1777

Design for a Silver Candl

Giovanni Bettati, Italian, 1700 – 1777 · 1725–40

CC0 (public-domain equivalent)Smithsonian
Maria Luisa of Parma (1751–1819), Later Queen of Spain, by Laurent Pécheux

Maria Luisa of Parma (1751–1819), Later Queen of Spain

Laurent Pécheux · 1765

Public domainThe Met
Design for a Ceiling Decoration, by Giuseppe Maria Rolli, Italian, 1645 - 1727

Design for a Ceiling Decoration

Giuseppe Maria Rolli, Italian, 1645 - 1727 · 1690–1720

CC0 (public-domain equivalent)Smithsonian
Plate 18: Cacasenno on horseback, from "Bertoldo, Bertoldino, and Cacasenno", by Giuseppe Maria Crespi

Plate 18: Cacasenno on horseback, from "Bertoldo, Bertoldino, and Cacasenno"

Giuseppe Maria Crespi · 1705–15

Public domainThe Met
Proofs for four plates of "Alfabeto in Sogno" [Dream Alphabet]: Letter I, by Giuseppe Maria Mitelli, 1634 – 1718

Proofs for four plates of "Alfabeto in Sogno" [Dream Alphabet]: Letter I

Giuseppe Maria Mitelli, 1634 – 1718 · 1683

CC0 (public-domain equivalent)Smithsonian
A Monk Preaching, by Giuseppe Maria Crespi

A Monk Preaching

Giuseppe Maria Crespi · late 17th–mid-18th century

Public domainThe Met
Side Wall Elevation of the Riding Academy, Vienna

Side Wall Elevation of the Riding Academy, Vienna

Artist not stated in the record · 1740–44

CC0 (public-domain equivalent)Smithsonian
Mason Going to Whitewash Walls, plate 7 from "Di Bologna l'Arti per via D'An.ibal' Ca.rac", by Giuseppe Maria Mitelli

Mason Going to Whitewash Walls, plate 7 from "Di Bologna l'Arti per via D'An.ibal' Ca.rac"

Giuseppe Maria Mitelli · 1660

Public domainThe Met
Sepulchral Monument for Poet Maria Maddalena Morelli, by Giuseppe Barberi, Italian, 1746–1809

Sepulchral Monument for Poet Maria Maddalena Morelli

Giuseppe Barberi, Italian, 1746–1809 · after 1795

CC0 (public-domain equivalent)Smithsonian
What was queried

Where these records came from.

Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.

  • The Met Collection API (Open Access)Rights field: isPublicDomain. 259 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown
  • Smithsonian Open Access API (api.si.edu)Rights field: content.descriptiveNonRepeating.metadata_usage.access. 39472 matched · 40 examined · 4 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown

These figures describe the pass run at 2026-08-27 08:33 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.

Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.

An image file is a rights claim. It never travels without its field.