OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 19 shown for “Giuseppe Passeri (Passari)” — 50 records examined, 31 dropped by the rights gate.
Archives queried 2026-09-02 06:44 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Nativity
Giuseppe Passeri (Passari) · 1654–1714
Studies for the Entombment of Christ
Giuseppe Passeri, Italian, 1654 - 1714 · 1775–1800
The Ecstasy of the Blessed Giacinta Marescotti
Giuseppe Passeri (Passari) · 1674–1714
Portrait of a Cardinal
Giuseppe Passeri, Italian, 1654 - 1714 · late 18th century
The Judgment of Solomon
Giuseppe Passeri (Passari) · 1654–1714
Studies for a Young Man, Drapery
Giuseppe Passeri, Italian, 1654 - 1714 · early 18th century
The Virgin Immaculate with the Christ Child in Glory (recto); Rinaldo and Armida (verso)
Giuseppe Passeri (Passari) · 1654–1714
Kneeling Figures
Giuseppe Passeri, Italian, 1654 - 1714 · 1775–1800
The Archangels Gabriel, Michael and Raphael (recto); sketches of figures (verso)
Giuseppe Passeri (Passari) · 1654–1714
Studies for the Entombment of Christ
Giuseppe Passeri, Italian, 1654 - 1714 · 1775–1800
Christ and the Centurion (recto); Figure Waving to Departing Ship (verso)
Giuseppe Passeri (Passari) · 1665–1714
Two Studies of a Man
Giuseppe Passeri, Italian, 1654 - 1714 · late 18th century
Christ and the Samaritan Woman at the Well
Giuseppe Passeri (Passari) · n.d.
Studies of Mourners' Arms, Hands, and Drapery
Giuseppe Passeri, Italian, 1654 - 1714 · late 18th century
Uffizio della Settimana Santa : colle rubriche volgari, argomenti de' Salmi, spiegazione delle cerimonie e misterj, con osservazioni, e riflessioni divote dell'abate Alessandro Mazzinelli
Alessandro Mazzinelli · 1794
Study for an Evangelist
Giuseppe Passeri, Italian, 1654 - 1714 · ca. 1700
Assumption of the Virgin; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giuseppe Passeri
Nicolas Le Sueur · ca. 1729–40
Studies for a Kneeling Monk
Giuseppe Passeri, Italian, 1654 - 1714 · 1775–1800
Martyrdom of Saint Catherine, after Bernardino Passari
Gijsbert Van Veen · 1588
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 10 matched · 10 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.10 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1802 matched · 40 examined · 31 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.9 shown
These figures describe the pass run at 2026-09-02 06:44 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.