OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Glass pendant in the form of an amphora” — 64 records examined, 24 dropped by the rights gate.
Archives queried 2026-09-07 08:33 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Drop-front desk (secrétaire à abattant or secrétaire en cabinet)
Adam Weisweiler · ca. 1787
Two Amphorae from the Museum at Athens, Greece
Frederic Edwin Church, American, 1826–1900 · April 14-25, 1869
Automaton in the form of a chariot pushed by a Chinese attendant and set with a clock
James Cox · 1766
Handscreen
Artist not stated in the record · 19th century
Drop-front desk (secrétaire à abattant or secrétaire en cabinet)
Martin Carlin · ca. 1776
Amphora
Unidentified (Roman)
Mechanical table
Jean Henri Riesener · 1781
Amphora
Unidentified · 2nd century A.D.
Flintlock Target Pistol of Prince William Frederick, Second Duke of Gloucester and Edinburgh (1776–1834), with Case and Accessories
Wogdon & Barton · 1801–3
Amphora
Unidentified (Roman)
Glass pendant in the form of an amphora
Artist not stated in the record · Late 7th–5th century BCE
Amphora
Unidentified (Roman)
Glass pendant in the form of an amphora
Artist not stated in the record · ca. 3rd century BCE
Locket
Artist not stated in the record · ca. 1866
Glass pendant in the form of an amphora
Artist not stated in the record
Vase
Artist not stated in the record · ca. 1900
Mechanical table (Table mécanique)
Jean Henri Riesener · 1778
Design for a Cross Pendant
Artist not stated in the record · late 18th century
Processional Cross
Artist not stated in the record · ca. 1150–75
Venus and Cupids
Artist not stated in the record · ca. 1880
Dagger with Scabbard
Artist not stated in the record · 1605–27
Chair
Artist not stated in the record · late 18th century
Miniature collector's cabinet
Bernard Salomon · ca. 1600
Mount
Artist not stated in the record · late 18th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 1846 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7484730 matched · 40 examined · 24 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-07 08:33 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.