OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Glass plaque fragment depicting a trophy and captives” — 64 records examined, 29 dropped by the rights gate.
Archives queried 2026-08-26 18:20 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Glass plaque fragment depicting a trophy and captives
Artist not stated in the record · 1st century CE
Trophy Design
Jean-Charles Delafosse, French, 1734 – 1789 · late 18th century
Plaque depicting Bernard Palissy
Sèvres Manufactory · 1846
Trophy Design
Jean-Charles Delafosse, French, 1734 – 1789 · late 18th century
The Unicorn Rests in a Garden (from the Unicorn Tapestries)
Artist not stated in the record · 1495–1505
Design for a Bedroom, Hotel de Mailly-Nesle, Paris
Gilles Paul Cauvet, French, 1731–1788 · 1770–80
Glass relief fragment
Artist not stated in the record · 1st century CE
Trophy awarded to the Texas Southern University Debate Team
Artist not stated in the record · 1967
Tile depicting Foreigners
Artist not stated in the record · ca. 1290–1224 BCE
Frieze in Classical Style, A Villa Upon a Hill
Romolo Achille Liverani, Italian, 1809 - 1872 · ca. 1840
Glass medallion of winged Victory
Artist not stated in the record · 1st century CE
Designs for Three Pedestals
Jean-Charles Delafosse, French, 1734 – 1789 · 1770–80
Plaque Fragment with Mudfish
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists · ca. 1540–70
Design for a Chimneypiece
Pietro Camporese the Younger, Italian, Roman, 1792–1873 · 1830
Plaque Fragment with Warrior Chief
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists · ca. 1540–70
Ornament Panel with Bird Cage
Antonio Salamanca, Italian, ca. 1500 - 1562 · ca. 1507
Plaque Fragment with Warrior and Attendant
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists · ca. 1540–70
Title Page
Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761
Panel with Hunting Scenes
Artist not stated in the record · ca. 1350
Sheets of Studies after Bolognese Monuments
Felice Giani, Italian, 1758–1823 · 1811–14
The Unicorn Crosses a Stream (from the Unicorn Tapestries)
Artist not stated in the record · 1495–1505
Designs After Architecture Fragments
Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761
Nécessaire with watch
Artist not stated in the record · probably ca. 1745–50
Designs After Architecture Fragments
Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 62 matched · 24 examined · 5 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2803549 matched · 40 examined · 24 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-26 18:20 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.