OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “H. Boulanger et Cie” — 64 records examined, 11 dropped by the rights gate.
Archives queried 2026-09-05 15:25 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Vertical Duct Flute in D
H. Boulanger et Cie · 19th century
Chromolaena odorata (L.) R.M. King & H. Rob.
Artist not stated in the record · 30 Dec 1985
First Arabesque Penchée
Edgar Degas · modeled probably before 1890, cast 1920
Wallpaper Design
Pignet et Cie · 1795
Spanish Dancer (Second State)
Edgar Degas · modeled probably ca. 1884, cast 1920
Dites Merci
Meillier et Cie · ca. 1798
Horse Trotting, the Feet Not Touching the Ground
Edgar Degas · modeled after 1878, cast 1920
Psyche et l'amour
Petitpierre et Cie, Nantes, France, 1770–1848 · 18th century
Woman Getting out of the Bath
Edgar Degas · modeled probably ca. 1890 or later, cast 1920
Standing bodhisattvas with monks, Pratyekabuddhas, lions, and apasaras
Artist not stated in the record · 557-581
Woman Stretching
Edgar Degas · modeled probably ca. 1884–89, cast 1920
Earrings, bracelet and brooch
Artist not stated in the record · ca. 1860
Dancer Looking at the Sole of Her Right Foot (Fourth State)
Edgar Degas · modeled before ca. 1895–1900, cast 1920
Box
Artist not stated in the record · 18th century
Andromache and Astyanax
Pierre Paul Prud'hon · ?1813–17; 1823–24?
Self-Portrait
James McNeill Whistler (1834-1903) · 1860s
Dressed Dancer at Rest, Hands Behind Her Back, Right Leg Forward (Second State)
Edgar Degas · modeled possibly ca. 1895, cast 1920
Paul et Virginie
Jean-Baptiste Huët, French, 1745–1811 · 1802
Seated Woman Wiping her Left Hip
Edgar Degas · modeled possibly ca. 1896, cast 1920
Buddhist altarpiece
Artist not stated in the record · 597
Dancer Looking at the Sole of Her Right Foot (First State)
Edgar Degas · modeled probably ca. 1895–1910, cast 1920
Seated Buddha (Shakyamuni) with standing monks and bodhisattvas (obverse) and donors (reverse)
Artist not stated in the record · dated 535
First Arabesque Penchée
Edgar Degas · modeled probably ca. 1892–96, cast 1920
Fragment
Gremont et Cie. · ca. 1800
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 639 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 984181 matched · 40 examined · 10 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-05 15:25 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.