Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Hammered Gold Patena” — 64 records examined, 26 dropped by the rights gate.
Archives queried 2026-09-06 15:03 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Automaton in the form of a chariot pushed by a Chinese attendant and set with a clock
James Cox · 1766
Synarthrophyton patena
Artist not stated in the record

Hammered Gold Patena
Artist not stated in the record · 11th–16th century
Synarthrophyton patena
Artist not stated in the record

Six-Barreled Pepperbox Disk Primer Pistol with Case and Accessories
Joseph Rock Cooper · ca. 1840–1850
Synarthrophyton patena
Artist not stated in the record

Gold-inlaid Colt Model 1851 Navy Revolver (serial no. 20133), with Case and Accessories
Samuel Colt · ca. 1853
Synarthrophyton patena
Artist not stated in the record

Smith and Wesson .44 Double-Action Revolver for George Jay Gould (1864–1923), serial no. 23402, with Case and Cleaning Brush
Smith & Wesson · 1888–89
Synarthrophyton patena
Artist not stated in the record · 5 Jun 1899

Table clock with calendar
Lucien Falize · 1881
Synarthrophyton patena
Artist not stated in the record

Double-Barreled Flintlock Shotgun with Exchangeable Percussion Locks and Barrels
Nicolas Noël Boutet · ca. 1818–20; exchangeable percussion locks and barrels, dated 1860
Synarthrophyton patena
Artist not stated in the record · 27 Sep 1992

Funerary mask
Lambayeque (Sicán) artist(s) · 900–1100 CE
Music Box, Sputnik Model
Artist not stated in the record

Pectoral Disk (Patena)
Artist not stated in the record · 11th–16th century

Gold Is Where You Find It
Tyrone Comfort, born Port Huron, MI 1909-died Los Angeles, CA 1939 · 1934

Earspool
Calima (Yotoco) artist · 100 BCE–700 CE

Jacket and pants worn by MC Hammer in music video for "They Put Me in the Mix"
Unidentified · 1988

Earspool
Calima (Yotoco) artist · 100 BCE–700 CE

Necklace associated with the Boa Morte sisterhood of Cachoeira
Unidentified · 19th - 20th century

Pectoral with Face
Artist not stated in the record · 1st–7th century

Tsuba
Artist not stated in the record · late 16th–17th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 407 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 42445 matched · 40 examined · 26 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-06 15:03 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.