OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 23 shown for “Harness Ornament in the Shape of Gazelle” — 64 records examined, 28 dropped by the rights gate.
Archives queried 2026-09-03 19:38 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Harness Ornament in the Shape of Gazelle
Artist not stated in the record · 6th–5th century BCE
Dress panel
Artist not stated in the record · 1780–89
Harness Ornament in the Shape of Gazelle
Artist not stated in the record · 6th–5th century BCE
Cosmetic Spoon in the Shape of Swimming Woman Holding a Dish
Artist not stated in the record · ca. 1386–1347 BCE
Fragment
Artist not stated in the record · 14th century
Ornament
Maya artist(s) · 400–900 CE
Fragment
Artist not stated in the record · 14th century
Ornament
Maya artist(s) · 3rd–9th century
Fragment
Artist not stated in the record · 13th century
Belt plaque in the shape of a kneeling horse
Artist not stated in the record · 3rd–1st century BCE
Design for Brooch or Hair Ornament in Shape of Feather
Artist not stated in the record · late 18th century
Harness Ornament
Artist not stated in the record · 14th century
Layla and Majnun
Artist not stated in the record · 16th–17th century
Weight of 3 Deben in the Shape of a Gazelle
Artist not stated in the record · ca. 1386–1347 BCE
Sampler
Artist not stated in the record · 1753
Armor of Henry II, King of France (reigned 1547–59)
Jean Cousin the Elder · ca. 1555
Dress panel
Artist not stated in the record · 1780–89
Diadem with a Pair of Gazelle Heads
Artist not stated in the record · ca. 1479–1425 BCE
Fragment
Artist not stated in the record · 13th century
Hermann von Wedigh III (died 1560)
Hans Holbein the Younger · 1532
"Title Plate," Plate 1 from "Goldsmith Ornament Designs"
Heinrich Raab, German, active Nuremberg 1640 – 1650 · ca. 1648
The Collector of Prints
Edgar Degas · 1866
Ornamented Chimneypiece Design
Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 2812 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7484507 matched · 40 examined · 27 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-03 19:38 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.