OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Harness Ornament with a Crouching Tiger” — 64 records examined, 11 dropped by the rights gate.
Archives queried 2026-09-03 12:59 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Harness Ornament with a Crouching Tiger
Artist not stated in the record · 7th–6th century BCE
Possibly weight with a crouching tiger
Artist not stated in the record · 206 BCE-220 CE
Tiger
Artist not stated in the record · 13th–11th century BCE
Crouching Dromedary
Frederic Edwin Church, American, 1826–1900 · February–March 1868
Harness ornament with a winged horse
Artist not stated in the record · 1st century BCE–1st century CE
Crouching tiger
Artist not stated in the record · 220-266
Harness Ornaments
Artist not stated in the record · 200–400
Ornament Design with Figures
François-Thomas Mondon, French, 1709 – 1755 · 1736
Reclining tiger
Artist not stated in the record · 4th–3rd century BCE
Ornament Design with Figures and Birds
François-Thomas Mondon, French, 1709 – 1755 · 1736
Ornament
Artist not stated in the record · ca. 9th–7th century BCE
Bobbins for lace making
Artist not stated in the record · 18th–19th century
Carpet with Palm Trees, Ibexes, and Birds
Artist not stated in the record · late 16th–early 17th century
Camels on a Mountainside with Mixed Sketches, Palestine (Israel)
Frederic Edwin Church, American, 1826–1900 · February 18, 1868
Crouching Tiger
Eugène Delacroix · 1839
Six Tailpiece Designs
Jacques de Sève, French, active 1742 – 1788 · 1759–80
Gold Stud, possibly for a Horse Harness
Artist not stated in the record · ca. 600
Arabesque Design for a Panel
Artist not stated in the record · 1780–90
Harness Ornament with Tigers
Artist not stated in the record · 7th–6th century BCE
America
Alexis Peyrotte, French, 1699–1769 · ca. 1750
Armor of Henry II, King of France (reigned 1547–59)
Jean Cousin the Elder · ca. 1555
Ornament
Giuseppe Barberi, Italian, 1746–1809 · 1750–1775
Harness Ornament
Artist not stated in the record · late 16th–early 17th century
Design for a Fireplace, Antinous Room, Villa Albani, Rome, Italy
Carlo Marchionni, Italian, 1702–1786 · 1755–57
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 128 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1871823 matched · 40 examined · 11 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-03 12:59 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.