OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Head of a princess from a group statue” — 64 records examined, 10 dropped by the rights gate.
Archives queried 2026-08-29 04:48 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Head of a princess from a group statue
Artist not stated in the record · ca. 1347–1330 BCE
Hand-colored albumen portrait of Princess Dagmar
Artist not stated in the record · 1860-1870
Statue of Kneeling Captive
Artist not stated in the record · ca. 2246–2152 BCE
Projet du Sallon de la Princesse Sartorinski en Pologne (Project for the Salon of the Princess Czartoryski in Poland), plate 84, from Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier)
Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750 · 1695–1750
King Sahure Accompanied by a Divine Figure
Artist not stated in the record · ca. 2458–2446 BCE
Décoration de la salle de spectacle, construit dans le manège couvert de la grande écurie à Versailles, pour la représentation de la Princesse de Navarre Comédie Ballet, donnée à l’occasion du Mariage de Louis Dauphin de France avec Marie Thérèse Infante d’Espagne, le XXIII février M.DCCLV.
Sébastien-Antoine Slodtz, French, 1695–1754 · 1756
Fragments of a marble statue of the Diadoumenos (youth tying a fillet around his head)
Polykleitos · ca. 69–96 CE
Figural Sketches
Carlo Marchionni, Italian, 1702–1786 · 1775
Marble statue of a wounded warrior
Artist not stated in the record · ca. 138–181 CE
Courtesan
Keisei Eisen, Japanese, 1790 – 1848 · ca. 1830
Face from a Composite Statue, probably Queen Tiye
Artist not stated in the record · ca. 1386–1330 BCE
Design for a Triton Fountain after Giambologna
Unknown · 1650–75
Nikare with his Wife and Daughter
Artist not stated in the record · ca. 2420–2389 BCE or later
Eijiri, from the series, "The Highest Ranking Geisha's Journey"
Keisei Eisen, Japanese, 1790 – 1848 · ca. 1830
Hercules and the Erymanthian boar
Giambologna · Late 17th or 18th century
Borders
Artist not stated in the record · 19th century
Perseus with the Head of Medusa
Antonio Canova · 1804–6
Mariko, from the series, "The Highest Ranking Geisha's Journey"
Keisei Eisen, Japanese, 1790 – 1848 · ca. 1830
Bacchanal: A Faun Teased by Children
Gian Lorenzo Bernini · ca. 1616–17
Sheet with Sketches
Giuseppe Bernardino Bison, Italian, 1762 - 1844 · 1762–1844
Large Kneeling Statue of Hatshepsut
Artist not stated in the record · ca. 1473–1458 BCE
Handscreen
Artist not stated in the record · 18th century
Francesco I de' Medici, grand duke of Tuscany
Giambologna · modeled 1585–87, cast ca. 1611
LE CHEVAL FONDU / LA MAIN CHAUDE
François Chéreau, the younger, French, 1717 – 1755 · mid- 18th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 2683 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 4039199 matched · 40 examined · 9 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-29 04:48 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.