Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Hieronymus (Jerome) Wierix” — 64 records examined, 12 dropped by the rights gate.
Archives queried 2026-08-27 06:53 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Christ Crucified
Hieronymus (Jerome) Wierix · before 1619

St. Anne, the Virgin and the Christ Child
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1580

Descent from the Cross
Hieronymus (Jerome) Wierix · before 1619

Temperance, plate 7 of "VII Virtutim...Imagines"
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1575

Typus Utriusque S. Legis
Hieronymus (Jerome) Wierix · 1570–1619

Justice (Iustitia), plate 5 from the "Virtutum theologicarum et cardinalium"
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1575

St. Elizabeth of Hungary
Hieronymus (Jerome) Wierix · n.d.

The Five Wise Virgins, from the suite "Speculum Virginitatis"
Artist not stated in the record · 1575-1600

The Lamentation
Hieronymus (Jerome) Wierix · before 1619

Portrait of Catherine-Henriette de Balzac d'Entragues, Marquise de Verneuil (1579-1633)
Paul de la Houve, French, 1575 - 1643 · 1600

The Annunciation (Humilis)
Hieronymus (Jerome) Wierix · n.d.

A Saxon Horse, from the first set of "Equile Joannis Austriaci"
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1575

Virgin and Child
Hieronymus (Jerome) Wierix · n.d.

A Roman Horse, from the first set of "Equile Joannis Austriaci"
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1575

Christ in the Wine Press
Hieronymus (Jerome) Wierix · before 1619

A French Horse, from the first set of "Equile Joannis Austriaci"
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1575

Pietà
Hieronymus (Jerome) Wierix

Fighting Horses, from the fourth set of "Equile Joannis Austriaci"
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1575

The Crucifixion (Round) (reverse copy)
Hieronymus (Jerome) Wierix · n.d.

A Danish Horse, from the fourth set of "Equile Joannis Austriaci"
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1575

David with the Head of Goliath
Hieronymus (Jerome) Wierix · 1578

The Crucifixion
Marten de Vos, Flemish, 1532-1603 · ca. 1590

Judith, from "Tyrannorum Proemia"
Hieronymus (Jerome) Wierix · 1578

The Adoration of the Magi
Artist not stated in the record · 1602
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 57 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2742 matched · 40 examined · 12 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 06:53 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.