Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 22 shown for “Iconographical Drawing of the Mandala of the Wisdom King Aizen” — 64 records examined, 30 dropped by the rights gate.
Archives queried 2026-09-03 23:20 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Iconographical Drawing of the Mandala of the Wisdom King Aizen
Artist not stated in the record · 1107 (Kashō 2)

The Spirit of Wisdom
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · 1595 or before

The Wisdom King Aizen (Aizen Myōō)
Artist not stated in the record · 14th century

Design for Allegory of Divine Wisdom, Reception Room, Palazzo Barberini, Rome, Italy
Andrea Sacchi, Italian, 1599 – 1661 · 1629–1631

Fudō Myōō, the Immovable Wisdom King (Achala Vidyaraja)
Kaikei · early 13th century

Decoration of an Arched Portal
Carlo Marchionni, Italian, 1702–1786 · 1750–55

The Triumph of Marius
Giovanni Battista Tiepolo · 1729
The Queen of Sheba Admiring the Wisdom of Solomon
Williams, Mary · 1744

Young Ladies of the Village
Gustave Courbet · 1851–52

Design for a Tazza with a Portrait of William of Orange as Commander of Wisdom
Artist not stated in the record · ca. 1588

Table clock with calendar
Lucien Falize · 1881

Design for Parts of a Coach
Artist not stated in the record · 1835–40

The Holy Family with the Young Saint John the Baptist
Andrea del Sarto (Andrea d'Agnolo) · ca. 1528

Wisdom – Sapience
Artist not stated in the record · 1787

The Apotheosis of the Spanish Monarchy
Giovanni Battista Tiepolo · 1760s

Projects for statues: "Wisdom." "Constancy." "Eloquence." "Cupid Disguised."
Jan Claudius de Cock, Flemish, 1667 - 1735 · 1726

Madonna and Child Enthroned with Saints
Raphael (Raffaello Sanzio or Santi) · ca. 1504

Interlaced circles
Artist not stated in the record · mid 18th - early 19th century

The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38

The Study of King Louis-Philippe at Neuilly
James Roberts, British, active France, ca. 1800–1867 · 1845

The Meditation on the Passion
Vittore Carpaccio · ca. 1490

Vanitas Still Life
Jacques de Gheyn II · 1603
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 93 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3015017 matched · 40 examined · 30 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.10 shown
These figures describe the pass run at 2026-09-03 23:20 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.