OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Ink Tablet with Tang Mirror Design” — 64 records examined, 0 dropped by the rights gate.
Archives queried 2026-08-27 08:04 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Ink Tablet with Tang Mirror Design
Artist not stated in the record · late 19th–early 20th century
Design for a Frame
Artist not stated in the record · 1775–1799
Chimneypiece from the Tapestry Room from Croome Court
Joseph Wilton · 1760
Design for Parts of a Coach
Artist not stated in the record · 1835–40
Ink Tablet with Black Stag Motif
Fang Yulu · late 19th–early 20th century
Design for Lunette with Apollo, Mnemosyne and Jove
Felice Giani, Italian, 1758–1823 · 1812
Ink Tablet with Thousand-Year Fungus Motif
Cheng Junfang · late 19th–early 20th century
Memorial Tablets for Severoli Family, Faenza
Felice Giani, Italian, 1758–1823 · ca. 1811
Landscapes with poems
Gong Xian · 1688
Project for a Tablet
Artist not stated in the record · 1825–1830
Ink Tablet
Artist not stated in the record · late 19th century
Design for a Panel with Two Mirrors
Artist not stated in the record · before 1742
Ink Tablet with "Three Rarities Hall" Design
Artist not stated in the record · late 19th–early 20th century
Tablet and an escutcheon
Giuseppe Barberi, Italian, 1746–1809 · 1780–1800
Ink Tablet with Two Phoenixes Design
Cheng Junfang · late 19th–early 20th century
Four Designs for the Frame of a Tablet
Giuseppe Barberi, Italian, 1746–1809 · 1780–1800
Ink Tablet with "The Nine Sons" Design
Wen Ya Guo · late 19th–early 20th century
Design for a Wainscotted Wall Panel
F. Cornille, active 1740 - 1756 · 1750-1800
Ink Tablet Decorated with Five Pines
Cheng Junfang · late 19th–early 20th century
Altar Tablet with the Arms of Pope Pius VII
Luigi Righetti, Italian, 1780 - 1819 · ca. 1820
Ink Tablet with Peach Tree
Artist not stated in the record · late 19th–early 20th century
Design for a carved mirror frame
Artist not stated in the record · 1750
Leaf of a Writing Tablet
Artist not stated in the record · 14th century
Design of Escutcheon and Draped Tablet
Leonardo Scaglia, French, active Italy, 1640 – 1650 · mid-17th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 272 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 327236 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 08:04 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.