OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Inrō with Flower Roundels” — 64 records examined, 1 dropped by the rights gate.
Archives queried 2026-08-29 00:31 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Inrō with Flower Roundels
Artist not stated in the record · first half of the19th century
Inro
Artist not stated in the record · 19th century
Inrō with Cockatoo and Magnolia
Yamada Jōkasai · 19th century
Two Boats
Jean-Baptiste Pillement, French, 1728–1808 · 1773?
Inrō with Stylized Flower Patterns in Interconnected Roundels
Artist not stated in the record · 18th century
Two Ornament Designs with Roundels
Jean-Baptiste Huet, French, 1745 – 1811 · 1776–89
Inrō with Scattered Musical Instruments, Theatrical Implements, and Flowers
Shibata Zeshin · 19th century
Roundel
Artist not stated in the record · 19th century
Case (Inrō) with Design of Scattered Cherry Blossoms (obverse); Snow Roundels (reverse)
Artist not stated in the record · 19th century
Roundel
Artist not stated in the record · 19th century
Case (Inrō) with Design of Leafy Grapevines (obverse); Chrysanthemum Spray (reverse)
Artist not stated in the record · 18th–19th century
Roundel
Artist not stated in the record · 19th century
Inrō with Bird on a Blossoming Plum Tree
Koma Yasutada · 19th century
Inro
Artist not stated in the record · ca. 1890
Saya Inrō with Bamboo Grove (exterior) and Rooster with Hen (interior)
Koma Sadahide · second half of the 18th century
Design for Overmirror Decoration, Blank Roundel with Grotesques, for the Noble Cabinet of the Palazzo Altieri
Giuseppe Barberi, Italian, 1746–1809 · 1789–1793
Inrō with Tanabata Story of the Weaver and the Herdboy
Nomura Kyūkoku · active first half of the19th century
inro
Artist not stated in the record · 1875–1900
Inrō with the Seven Sages of the Bamboo Grove
Tōyō · second half of the 18th century
Title Page
Jean Lamour, French, 1698–1771 · 1767–68
Inrō with Cranes in Plum, Bamboo and Pine
Artist not stated in the record · 19th century
Designs for Ornament, Roundels, and Pendants
Pierre Bourdon, French, ca. 1656 – 1708 after · after 1703
Case (Inrō) with Design of Clamshells and Fireflies
Koma Yasutada · late 18th century
Designs for Ornament and Roundels
Pierre Bourdon, French, ca. 1656 – 1708 after · after 1703
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 235 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 255468 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-29 00:31 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.