OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 22 shown for “Inscribed 50 Deben Weight” — 64 records examined, 35 dropped by the rights gate.
Archives queried 2026-08-28 09:25 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Inscribed 50 Deben Weight
Artist not stated in the record · ca. 1080–525 BCE
L'Agreable lecon ou L'Art d'Amier
Artist not stated in the record · 1785–90
Bowl with flutes from shoulder to rosette at base and with inscribed weight
Artist not stated in the record · 4th century BCE
The Sermon on the Mount
Artist not stated in the record · ca. 1735
Bowl with acorn bosses at shoulder, lotus pattern beneath, and rosette on bottom, and with inscribed weight
Artist not stated in the record · 4th century BCE
Weight
Artist not stated in the record · c. 1930
Gold phiale (libation bowl)
Artist not stated in the record · 4th–3rd century BCE
Weight
Artist not stated in the record · c. 1930
The Laundress
Honoré Daumier · 186[3?]
Plan for new administration building for hospital Trinita de Pellegrini
Giuseppe Barberi, Italian, 1746–1809 · 1800–1809
Limestone Keystone from a Vaulted Ceiling
Artist not stated in the record · ca. 1220–30
Sidewall
Artist not stated in the record · 1820–50
Gold copy of a bracelet
Artist not stated in the record · 6th–5th century BCE
Design for a Door Case
Carlo Marchionni, Italian, 1702–1786 · 1725–50
Gold copy of a bracelet
Artist not stated in the record · 6th–5th century BCE
Balance
Beach, T. · late eighteenth century
Pope Benedict XIV (Prospero Lambertini, 1675–1758)
Pierre Hubert Subleyras · 1746
Elevation of the wall of the salon of Princess Czartorinska.
Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750 · 1730–50
The Attarouthi Treasure - Chalice
Artist not stated in the record · 500–650
Sketchbook Page: Studies after Paintings in Ferrara, Rome, Bologna, Mantua after Artists Tibaldi, Raphael, Andrea del Sarto and Polidoro; Verso: Bird Skeleton and Horse's Head
Felice Giani, Italian, 1758–1823 · 1811–14
The Love Letter
Jean Honoré Fragonard · early 1770s
Coffeepot
Meissen Manufactory · manufactured ca. 1715–20; decorated ca. 1728–30
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 26 matched · 24 examined · 5 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 271495 matched · 40 examined · 30 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.10 shown
These figures describe the pass run at 2026-08-28 09:25 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.