OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Inscribed Linen of Satiyet” — 64 records examined, 15 dropped by the rights gate.
Archives queried 2026-08-30 15:08 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Triptych with the Mandylion
The Kremlin Armory Workshops, Moscow · 1637
Purse
Artist not stated in the record · 1821
Inscribed Linen of Satiyet
Artist not stated in the record · 332–30 BCE
Sense of Taste
Paul Scarron, French, 1610 - 1660 · mid- 17th century
Cassone with painted front panel depicting the Conquest of Trebizond
Apollonio di Giovanni di Tomaso · after ca. 1461
Album of Prints: Book of Vases by François Boucher
François Boucher, French, 1703–1770 · 1772–79
Red-Dyed Length of Linen
Artist not stated in the record · ca. 1981–1975 B.C.
Sampler
Artist not stated in the record · 18th century
Shield for the Field or Tournament (Targe)
Artist not stated in the record · ca. 1450
US Cavalry officer's uniform riding pants worn by John H. Alexander
John G. Haas, American · ca. 1890
Inscribed Linen Sheet from Tutankhamun's Embalming Cache
Artist not stated in the record · ca. 1328–1318 BCE
Apotheosis of Franklin
Artist not stated in the record · 1780s
Linen Mark
Artist not stated in the record · ca. 945–721 BCE
Apotheosis of Franklin
Artist not stated in the record · ca. 1780
Linen from Tutankhamun's Embalming Cache
Artist not stated in the record · ca. 1328–1318 BCE
1796 - 1798 Bethiah Green's Embroidered Counterpane
Green, Bethiah D. · 1796-1805
Inscribed Mummy Bandage
Artist not stated in the record · ca. 945–525 BCE
Apotheosis of Franklin
Artist not stated in the record · ca. 1780
Mummy Bandage Inscribed for Paherer
Artist not stated in the record · ca. 721–664 BCE
Apotheosis of Franklin
Artist not stated in the record · ca. 1780
Corner of a Sheet Inscribed with the Cartouche of Neferure
Artist not stated in the record · ca. 1491–1473 BCE
Sampler
Artist not stated in the record · 1827
Sheet
Artist not stated in the record · ca. 1491–1473 BCE
Sampler
Artist not stated in the record · 1805
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 251 matched · 24 examined · 6 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2859325 matched · 40 examined · 9 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-30 15:08 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.