OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Inscribed and decorated fragments of a connective element, Nefertiti names” — 64 records examined, 7 dropped by the rights gate.
Archives queried 2026-08-29 02:03 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Inscribed and decorated fragments of a connective element, Nefertiti names
Artist not stated in the record · ca. 1347–1330 BCE
Fragment
Artist not stated in the record · mid-18th century
A Hypocrite and a Slanderer
Franz Xaver Messerschmidt · ca. 1770–83
Sheets of Studies after Bolognese Monuments
Felice Giani, Italian, 1758–1823 · 1811–14
Inscribed fragment of a support pillar, Akhenaten, Nefetiti, Aten cartouches
Artist not stated in the record · ca. 1347–1330 BCE
Textile
Artist not stated in the record · ca. 1785
Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family
Master of the Dinteville Allegory · 1537
Design for an Embroidered Frontal
Giuseppe Barberi, Italian, 1746–1809 · 1780-1790
Christ Blessing, Surrounded by a Donor Family
German Painter · ca. 1573–82
Ceiling Decorations
Artist not stated in the record · 1810–1820
Fragments
Artist not stated in the record · 10th century
Design for Woven Fabric with Neoclassical Motifs
Artist not stated in the record · ca. 1820
Fragments
Artist not stated in the record · 8th–13th century
Five Ceiling Schemes
Felice Giani, Italian, 1758–1823 · 1815–23
Marble stele (grave marker) of a youth and a little girl
Artist not stated in the record · ca. 530 BCE
Multiplex
Hammond · 1919
Fragment From Decorated Bowl
Artist not stated in the record · ca. 1290–1224 BCE
Portrait of Pietro Tamburini (Petrus Tamburinus)
Artist not stated in the record · ca. 1790
Fragment of a terracotta skyphos (deep drinking cup)
Douris · ca. 490 BCE
Border
Artist not stated in the record · late 19th century
Madonna and Child
Luca Signorelli (Luca d'Egidio di Luca di Ventura) · ca. 1505–7
Fragment
Artist not stated in the record · 1750–1800
Cassone with painted front panel depicting the Conquest of Trebizond
Apollonio di Giovanni di Tomaso · after ca. 1461
Tunic fragment
Artist not stated in the record · 19th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 929 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7474437 matched · 40 examined · 7 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-29 02:03 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.