OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 23 shown for “Jacopo Amigoni, Italian, 1682–1752” — 27 records examined, 1 dropped by the rights gate.
Archives queried 2026-09-06 04:05 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Flora and Zephyr
Jacopo Amigoni · 1730s
America
Artist not stated in the record · 1740–1803
Portrait of a Lady
Jacopo Amigoni · 1729–39
Asia
Artist not stated in the record · 1740–1803
Snuffbox
Jacopo Amigoni · ca. 1765–1770
Africa
Artist not stated in the record · 1740–1803
Shoe-Black
Joseph Wagner · 1739
Europa
Artist not stated in the record · 1740–1803
Lamp-Lighter
Joseph Wagner · 1739
Allegory of the Four Elements - Fire
Jacopo Amigoni, Italian, 1682–1752 · 1739-1752
Plate
Joseph Wagner · 1750–70
Allegory of the Four Seasons - Autumn
Jacopo Amigoni, Italian, 1682–1752 · 1739-1752
Asia! Thy trade, thy silks and spicy stores, But ill compensate for a Land of Slaves, Whilst Liberty disdains to bless thy Shores, And Luxury thy nerv'less sons depraves
James Moore · ca. 1760
Allegory of the Four Elements - Earth
Jacopo Amigoni, Italian, 1682–1752 · 1739-1752
Hot water urn with biblical scenes
Joseph Wagner · ca. 1780–90
Allegory of the Four Seasons - Winter
Jacopo Amigoni, Italian, 1682–1752 · 1739-1752
Marcantonio Pasqualini (1614–1691) Crowned by Apollo
Andrea Sacchi · 1641
Allegory of the Four Seasons - Summer
Jacopo Amigoni, Italian, 1682–1752 · 1739-1752
Medea Rejuvenating Aeson
Corrado Giaquinto · ca. 1760
Allegory of the Four Elements - Air
Jacopo Amigoni, Italian, 1682–1752 · 1739-1752
Nymphs Adorning the Statue of a Goddess (recto); River God with Three Nymphs (verso)
Anonymous, Italian, Venetian, 18th century · 18th century
Allegory of the Four Elements - Water
Jacopo Amigoni, Italian, 1682–1752 · 1739-1752
Allegory of the Four Seasons - Spring
Jacopo Amigoni, Italian, 1682–1752 · 1739-1752
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 12 matched · 12 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.11 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 15 matched · 15 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-06 04:05 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.