OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Jacopo Palma the Younger” — 64 records examined, 18 dropped by the rights gate.
Archives queried 2026-08-28 18:57 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Crucifixion
Jacopo Palma the Younger
Christ in Limbo
Jacopo Palma, il giovane, Italian, 1548 – 1628 · 1625-1628
Various Figure Groups
Jacopo Palma the Younger · 1548–1628
Drawing
Giacomo Palma, the younger, Italian, born Venice, Italy 1544-died Venice, Italy 1628 · n.d.
Penitent Woman Anointing the Feet of Christ at the Table of Simon the Pharisee
Jacopo Palma the Younger · 1548–1628
Drawing
Giacomo Palma, the younger, Italian, born Venice, Italy 1544-died Venice, Italy 1628 · n.d.
Studies of Horsemen and Study of a Figure for a Deposition (recto); Sketch for an Entablature (verso)
Jacopo Palma the Younger · 1548–1628
Drawing
Giacomo Palma, the younger, Italian, born Venice, Italy 1544-died Venice, Italy 1628 · n.d.
Figure Studies: Seated Female Holding a Book, Two Heads of Bearded Men, Seated Male Nude, and Four Sketches for Christ Judging (recto); Studies for Cain Slaying Abel (verso)
Jacopo Palma the Younger · 1548–1628
Drawing
Giacomo Palma, the younger, Italian, born Venice, Italy 1544-died Venice, Italy 1628 · n.d.
Studies for Four Figures (recto); Composition Sketches for Groupings of Figures on Clouds (verso)
Jacopo Palma the Younger · 1600–14
Drawing
Giacomo Palma, the younger, Italian, born Venice, Italy 1544-died Venice, Italy 1628 · n.d.
Seated Doctor of the Church Reading (Saint Ambrose or Saint Gregory)
Jacopo Palma the Younger · 1600
The Entombment, after Jacopo Bassano
Artist not stated in the record · 1739
'Regole per Imparar a Disegnar i corpi humani ... Giacomo Palma' Libro Primo (title page and 7 plates), bound together with Libro Secondo (title page and 11 plates)
Jacopo Palma the Younger · 1636 (republished 1659)
Album of Prints: Etchings by Amigoni, an Unknown Artist, and Jean Baptiste Marie Pierre
Jacopo Amigoni, Italian, 1682–1752 · 18th century
Judith placing the head of Holofernes onto a cloth held by another female figure, the foreshortened body of Holofernes gushes with blood from the neck
Jacopo Palma the Younger · ca. 1570–1628
Allegory of the Four Elements - Fire
Jacopo Amigoni, Italian, 1682–1752 · 1739-1752
Sheet of studies with St. Jerome, seated at right and resting his right forearm on a book, at left an ecclesiastical figure wearing a cope and miter, and at bottom two putti
Jacopo Palma the Younger · ca. 1570–1628
Allegory of the Four Seasons - Autumn
Jacopo Amigoni, Italian, 1682–1752 · 1739-1752
Figure Studies: The Arrest of Christ?, Christ and the Canaanite Woman, Seated Male Figures, and Head of a Child (recto); Studies of an Arm, and of the Heads of an Old Man and Young Woman (verso)
Jacopo Palma the Younger · 1548–1628
Allegory of the Four Elements - Earth
Jacopo Amigoni, Italian, 1682–1752 · 1739-1752
Studies of Arms, Shoulders and Hands
Giacomo Franco · 1548–1628
Triumph of Titus
Artist not stated in the record · ca. 1520
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 58 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1190788 matched · 40 examined · 17 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 18:57 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.