OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Jacopo Tintoretto (Jacopo Robusti)” — 55 records examined, 17 dropped by the rights gate.
Archives queried 2026-08-27 01:14 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer
Jacopo Tintoretto (Jacopo Robusti) · probably 1577
The Entombment, after Jacopo Bassano
Artist not stated in the record · 1739
The Miracle of the Loaves and Fishes
Jacopo Tintoretto (Jacopo Robusti) · ca. 1545–50
Album of Prints: Etchings by Amigoni, an Unknown Artist, and Jean Baptiste Marie Pierre
Jacopo Amigoni, Italian, 1682–1752 · 18th century
The Finding of Moses
Jacopo Tintoretto (Jacopo Robusti) · 1560s?
America
Artist not stated in the record · 1740–1803
Portrait of a Man
Jacopo Tintoretto (Jacopo Robusti) · 1550s
Africa
Artist not stated in the record · 1740–1803
The Crucifixion
Pedro Orrente · ca. 1625–30
Europa
Artist not stated in the record · 1740–1803
Reclining Male Figure
Jacopo Tintoretto (Jacopo Robusti) · 1560s
Asia
Artist not stated in the record · 1740–1803
Study after Michelangelo's Giorno (recto and verso)
Jacopo Tintoretto (Jacopo Robusti) · ca. 1550–55
Christ in Limbo
Jacopo Palma, il giovane, Italian, 1548 – 1628 · 1625-1628
The Circumcision
Jean Honoré Fragonard · ca. 1764
Allegory of the Four Elements - Fire
Jacopo Amigoni, Italian, 1682–1752 · 1739-1752
Saint Sebastian
Hans Friedrich Schorer · 1620–49
Triumph of Titus
Artist not stated in the record · ca. 1520
The Entombment, with Christ's body carried on a sheet at center, the three Maries in the foreground, and an angel overhead
Jacob Matham · 1594
Design for a Tripod Candlestick Base
Unknown · 1520–43
Susannah and the Elders
Anonymous, German, 19th century · 19th century
Elizabeth Petrovna
Artist not stated in the record · 1749
The Penitent Mary Magdalene
Raphael Sadeler I · 1602
Allegory of the Four Seasons - Autumn
Jacopo Amigoni, Italian, 1682–1752 · 1739-1752
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 58 matched · 24 examined · 9 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 31 matched · 31 examined · 8 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 01:14 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.