Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Jane Ireland” — 62 records examined, 29 dropped by the rights gate.
Archives queried 2026-08-28 06:56 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Concert Ticket - Mary's Chappel, Five at Night
Jane Ireland · May 1, 1799

Invitation for a Funeral
Artist not stated in the record · 1794

Orator Henley Christening a Child
Jane Ireland · 1794

Son, Go Work Today in My Vineyard, frontispiece to "The Happy Ascetick"
Artist not stated in the record · 1724-1794

Snuffbox with portraits of Henry VIII and and Jane Seymour with presentation inscription
I. A. (unidentified) · 1805–6

Oratory Chapel
Artist not stated in the record · 1794

The Baptism of Christ
Sebastiano Ricci · ca. 1713–14

Ticket for Joe Miller's Benefit
Artist not stated in the record · 1794

The Smokers
Adriaen Brouwer · ca. 1636

Head of Hesiod for Cooke's Translation
Artist not stated in the record · 1728-1794

Young Woman with a Water Pitcher
Johannes Vermeer · ca. 1662

Three Grotesque Heads in Profile (After Hogarth)
Artist not stated in the record · ca. 1790

Collar
Artist not stated in the record · ca. 1890

Orator Henley Christening a Child
Artist not stated in the record · 1786-1794

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby
Sir Thomas Lawrence · 1790

Mary and Ann Hogarth's Shop Card
Artist not stated in the record · 1720-1794

Young Woman with a Lute
Johannes Vermeer · ca. 1662–63

The Council in Heaven; Illustration to Milton's "Paradise Lost" (After Hogarth)
Artist not stated in the record · ca. 1790

Sulking
Edgar Degas · ca. 1870

Sketches From Pen and Ink Drawings
Artist not stated in the record · 1794

A Young Woman at Her Toilet with a Maid
Gerard ter Borch the Younger · ca. 1650–51

The Council in Hell. Illustration to Milton's "Paradise Lost" (after William Hogarth)
Artist not stated in the record · ca. 1790

Sir John Shurley of Isfield (1565–1632)
British Painter
Drummondia prorepens (Hedw.) E. Britton
Artist not stated in the record · 31 Jul 1969
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 22 matched · 22 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 18519 matched · 40 examined · 28 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 06:56 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.