OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Large “Joseph” with purple and yellow robes” — 64 records examined, 9 dropped by the rights gate.
Archives queried 2026-09-10 12:31 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Large “Joseph” with purple and yellow robes
Artist not stated in the record · second half 18th–mid-19th century
Textile
Artist not stated in the record · 19th century
Whalers
Joseph Mallord William Turner · ca. 1845
Robe
Artist not stated in the record · 18th century
Benjamin Franklin (1706–1790)
Joseph Siffred Duplessis · 1778
"Hans Sloane" Botanical Plate (One of Twelve)
Chelsea Porcelain Manufactory, English, 1745 – 1784 · 1754–1758
Miniature tabard
Artist not stated in the record · 1600–1700
Textile
Artist not stated in the record · mid-19th century
Virgin and Child with Saints Catherine of Alexandria and Barbara
Hans Memling · early 1480s
Dressing gown
Artist not stated in the record · early 18th century
Virgin and Child
Netherlandish (Antwerp) Painter
Daoist priest's robe
Artist not stated in the record · 19th century
Joseph Interpreting the Dreams of Pharaoh
Jörg Breu the Younger · ca. 1534–47
Vestment
Artist not stated in the record · 19th century
Christ Blessing, Surrounded by a Donor Family
German Painter · ca. 1573–82
Robe for a statue
Artist not stated in the record · late 18th century
Christ Blessing the Children
Lucas Cranach the Younger and Workshop · ca. 1545–50
Chapan (robe)
Artist not stated in the record · second half 19th century
Circus Sideshow (Parade de cirque)
Georges Seurat · 1887–88
Plate 1954, Modes de Paris (Paris Fashion), Petit Courrier des Dames, Journal des Modes (Little Ladies' Mail, Fashion Journal)
Samuel and Joseph Fuller, London, England · August 31, 1843
The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38
Robe
Artist not stated in the record · 19th century
Fragmentary Loom Width with Wavy-Vine Pattern
Artist not stated in the record · ca. 1565–80
Sugar Bowl and Stand
Mennecy Porcelain Manufactory, French, active 1735 – 1773 · mid- 18th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 548 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1598832 matched · 40 examined · 8 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-10 12:31 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.