OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Late 17th-century style Ogee frame” — 64 records examined, 12 dropped by the rights gate.
Archives queried 2026-08-31 21:43 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Late 17th-century style Ogee frame
Artist not stated in the record · 1870–80
Frame
Artist not stated in the record · ca. 1850
Armchair (fauteuil à la reine)
Artist not stated in the record · ca. 1690–1710
Textile
Artist not stated in the record · 19th century
Early 18th-century style Ogee frame
Artist not stated in the record · 1850–65
table
Artist not stated in the record · late 19th century
Cardinal Fernando Niño de Guevara (1541–1609)
El Greco (Domenikos Theotokopoulos) · ca. 1600
Fragment
Artist not stated in the record · 17th century
The Temptation
Pietro Longhi (Pietro Falca) · 1746
Fragment
Artist not stated in the record · late 16th–early 17th century
Fire screen (écran)
Georges Jacob · ca. 1786
Sidewall
Artist not stated in the record · 1910–15
The Holy Family with Saints Anne and Catherine of Alexandria
Jusepe de Ribera (called Lo Spagnoletto) · 1648
Textile
Artist not stated in the record · late 17th century
Reverse ogee frame
Artist not stated in the record · late 19th century (style 17th century)
Flounce
Artist not stated in the record · late 17th–early 18th century
Virgin and Child with Saint Anne
Albrecht Dürer · probably 1519
Frame
Artist not stated in the record · late 19th/early 20th century
The Abduction of the Sabine Women
Nicolas Poussin · probably 1633–34
Panel
Eleanor Garnier Hewitt, American, 1864–1924 · late 19th century
Madonna and Child
Giovanni Bellini · late 1480s
Fragment
Artist not stated in the record · late 17th–early 18th century
Saints Peter, Martha, Mary Magdalen, and Leonard
Correggio (Antonio Allegri) · ca. 1515
Fragment
Artist not stated in the record · late 17th–early 18th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 459 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 336 matched · 40 examined · 12 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-31 21:43 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.