Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 21 shown for “Laurent Cars” — 64 records examined, 31 dropped by the rights gate.
Archives queried 2026-08-27 01:28 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The embrace observed
Laurent Cars · ca. 1765–1770

Suzanna and the Elders
Artist not stated in the record · ca. 1750

Portrait of Laurent Cars
Augustin de Saint-Aubin · 1768

LE PRINTEMPS
Antoine Watteau, French, 1684–1721 · 1723-1735

Iris at the Bath
Laurent Cars · 1731

L'ÉTÉ
Antoine Watteau, French, 1684–1721 · 1723-1735

Portrait of Michel Anguier (1612–1686)
Laurent Cars · 1733

L'HIVER
Antoine Watteau, French, 1684–1721 · 1723-1735

Time Carrying Truth
Laurent Cars · 1747

L'AVTOMNE
Antoine Watteau, French, 1684–1721 · 1723-1735

The Fabulist Truth (La Vérité Fabuliste)
Laurent Cars · 1720–71

Album of Staircase Balustrades and Gate Crown Designs
Laurent Desboeufs de Saint-Laurent, French, active 1763 – 1776 · 1772–77

Susanna and the Elders
Laurent Cars · 18th century

Renealmia orinocensis Rusby
Artist not stated in the record · 19 Nov 1986

Plate
Laurent Cars · 1738–49

Dieffenbachia seguine (Jacq.) Schott
Artist not stated in the record · 26 Feb 2011
![Dom Garcie de Navarre ou le prince Jaloux, from "Gravures de Boucher pour les Oeuvres de Molière" [Figures de Boucher pour Molière], by Laurent Cars](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fdp%2Fweb-large%2FDP-24611-001.jpg&w=3840&q=75)
Dom Garcie de Navarre ou le prince Jaloux, from "Gravures de Boucher pour les Oeuvres de Molière" [Figures de Boucher pour Molière]
Laurent Cars · mid-18th century

Philodendron ornatum Schott
Artist not stated in the record · 26 Feb 2011

Frontispice pour le "Tombeau de John Churchill, duc de Marlborough" (Frontispiece for the "Tomb of John Churchill, Duke of Marlborough"), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men)
Laurent Cars · ca. 1736

The Embroiderer
Jean Jacques Flipart · 1757

Hercules and Omphale
Saint James's Factory · ca. 1751
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 24 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 6036 matched · 40 examined · 31 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.9 shown
These figures describe the pass run at 2026-08-27 01:28 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.