OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Le Port de San Remo” — 64 records examined, 13 dropped by the rights gate.
Archives queried 2026-09-06 01:45 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Peasant women from Ragusa
Edward Lear · 1866 (?)
Le Port de San Remo
Artist not stated in the record · 1878
Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788)
Adélaïde Labille-Guiard · 1785
Les Deux Ponts, San Remo
George Charles Aid, born Quincy, IL 1872-died Tryon, NC 1938 · n.d.
View of Marly-le-Roi from Coeur-Volant
Alfred Sisley · 1876
Elévation et Profils d’une Porte cochere ouvrante en Ceintre surbaisse dans le tableau / Elévation et Profils d’une Porte cochere, ouvrante en anse de Panier dans le tableau, orné d’un Grillage de Serrurrerie
F. Cornille, active 1740 - 1756 · 1740–55
Circus Sideshow (Parade de cirque)
Georges Seurat · 1887–88
Elévation et Profils d’une Porte cochere ceintrée en anse de Panier dans le tableau./ Elévation et Profils d’une Porte cochere, ouvrante plein ceintré dans le tableau
F. Cornille, active 1740 - 1756 · 1740–55
Man with a Steel Gorget
Rembrandt
Les Monuments de Paris
Hartmann et Fils, Munster, France · 1816–20
The Crucifixion with Saints and a Donor
Joos van Cleve · ca. 1520
REPRÉSENTATION D’UNE PLACE DE STRASBOURG VUË DU CÔTÉ DE LA PORTE DE SAVERNE. Le Roi LOUIS XV. traversa cette Place le jour de son entrée
Johann Martin Weis, French, 1711 - 1751 · 1745
Ia Orana Maria (Hail Mary)
Paul Gauguin · 1891
Plate 5, "Decoration d'une Portal double à placards dans son chambrante fermé..."
Jacques-François Blondel, French, 1705–1774 · ca. 1727
Mezzetin
Antoine Watteau · ca. 1718–20
Representation du Portique Elevé devant la Porte du Coeur pour entrer dans le Camp de la Douleur
Jean Berain, the elder, French, 1640-1711 · 1711
The Interrupted Sleep
François Boucher · 1750
Le Port de Mer
Artist not stated in the record · ca. 1780
Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456)
Hans Memling · ca. 1470
Plan et Elévation d’une Alcove dont la traverse est d’un ceintre en S. pour le plan / Plan et Elévation d’une Alcove, dont la porte ouvre en anse de panier sous le Chambranle
F. Cornille, active 1740 - 1756 · 1740–55
The Boulevard Montmartre on a Winter Morning
Camille Pissarro · 1897
Elevaon du dedans de la Cour ou sont les remises des Carosses de l’Hostel du Comand. du Gert. proche la porte de Richelieu (Upper Plate) / Elevation de l’entrée de l’Hostel du Comandeur du Gert A Paris proche la porte de Richelieu (Lower Plate)
Jean Marot, French, 1619 - 1679 · ca.1635–ca.1660
Haystacks: Autumn
Jean-François Millet · ca. 1874
Porte St. Antoine. Le Palais de Momus
Jean François Blondel, French, 1681–1756 · 1751
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 34 matched · 24 examined · 6 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 882919 matched · 40 examined · 7 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-06 01:45 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.