OpenGlyph — Catalogue of the American Public DomainJurisdiction: United StatesRev. 2026.08
Images / art

Two archives, queried live.

Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Letter to Mary Seward from John Seward” — 64 records examined, 25 dropped by the rights gate.

Archives queried 2026-09-08 12:31 UTC · fetched live for this request

Object
Public domainThe Met’s isPublicDomain field is true for this object.
CC0 (public-domain equivalent)Smithsonian’s metadata_usage.access reads CC0 — a waiver, not an expired term.
Not shownAnything failing its archive’s rights field is dropped server-side and never appears here.
Salisbury Cathedral from the Bishop's Grounds, by John Constable

Salisbury Cathedral from the Bishop's Grounds

John Constable · ca. 1825

Public domainThe Met
Letter to Mary Seward from John Seward

Letter to Mary Seward from John Seward

Artist not stated in the record · March 29, 1776

CC0 (public-domain equivalent)Smithsonian
Letter, by Shiba Sonome 斯波園女

Letter

Shiba Sonome 斯波園女 · 1696

Public domainThe Met
Letter to Rachel Walters from Isaac Walters

Letter to Rachel Walters from Isaac Walters

Artist not stated in the record · April 17, 1865

CC0 (public-domain equivalent)Smithsonian
Saint John on Patmos, by Hans Baldung (called Hans Baldung Grien)

Saint John on Patmos

Hans Baldung (called Hans Baldung Grien) · ca. 1511

Public domainThe Met
William Henry Seward, by Giovanni Maria Benzoni, 1809 - 1873

William Henry Seward

Giovanni Maria Benzoni, 1809 - 1873 · 1872

CC0 (public-domain equivalent)Smithsonian
Plaque with Saint John the Evangelist

Plaque with Saint John the Evangelist

Artist not stated in the record · early 9th century

Public domainThe Met
National Police Gazette, 1865

National Police Gazette, 1865

Artist not stated in the record · 1865-04-22

CC0 (public-domain equivalent)Smithsonian
The Hunters Return to the Castle (from the Unicorn Tapestries)

The Hunters Return to the Castle (from the Unicorn Tapestries)

Artist not stated in the record · 1495–1505

Public domainThe Met
Dryopteris expansa (C. Presl) Fraser-Jenk. & Jermy

Dryopteris expansa (C. Presl) Fraser-Jenk. & Jermy

Artist not stated in the record · 18 Jun 2002

CC0 (public-domain equivalent)Smithsonian
Saints Peter, Martha, Mary Magdalen, and Leonard, by Correggio (Antonio Allegri)

Saints Peter, Martha, Mary Magdalen, and Leonard

Correggio (Antonio Allegri) · ca. 1515

Public domainThe Met
Captain John H. Seward, by Unidentified

Captain John H. Seward

Unidentified · ca. 1790

CC0 (public-domain equivalent)Smithsonian
Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), by Anders Zorn

Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918)

Anders Zorn · ca. 1900

Public domainThe Met
Salix barclayi var. angustifolia Andersson

Salix barclayi var. angustifolia Andersson

Artist not stated in the record · 15 Jul 1932

CC0 (public-domain equivalent)Smithsonian
L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911), by Vincent van Gogh

L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911)

Vincent van Gogh · 1888–89

Public domainThe Met
Frederick W. Seward

Frederick W. Seward

Artist not stated in the record · c. 1860-70

CC0 (public-domain equivalent)Smithsonian
Young Lady in 1866, by Edouard Manet

Young Lady in 1866

Edouard Manet · 1866

Public domainThe Met
Gymnocarpium dryopteris (L.) Newman

Gymnocarpium dryopteris (L.) Newman

Artist not stated in the record · 3 Jul 2002

CC0 (public-domain equivalent)Smithsonian
Scenes from the Life of Saint John the Baptist, by Francesco Granacci (Francesco di Andrea di Marco)

Scenes from the Life of Saint John the Baptist

Francesco Granacci (Francesco di Andrea di Marco) · ca. 1506–7

Public domainThe Met
Albumen portrait of Fanny Seward mounted on paper

Albumen portrait of Fanny Seward mounted on paper

Artist not stated in the record · ca. 1860

CC0 (public-domain equivalent)Smithsonian
Terracotta calyx-krater (mixing bowl), by Dolon Painter

Terracotta calyx-krater (mixing bowl)

Dolon Painter · ca. 400–390 BCE

Public domainThe Met
Photograph of postcard of US mail leaving Seward for Anchorage, Alaska

Photograph of postcard of US mail leaving Seward for Anchorage, Alaska

Artist not stated in the record · c. 1905

CC0 (public-domain equivalent)Smithsonian
Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer, by Jacopo Tintoretto (Jacopo Robusti)

Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer

Jacopo Tintoretto (Jacopo Robusti) · probably 1577

Public domainThe Met
Frederick W. Seward

Frederick W. Seward

Artist not stated in the record · c. 1860-70

CC0 (public-domain equivalent)Smithsonian
What was queried

Where these records came from.

Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.

  • The Met Collection API (Open Access)Rights field: isPublicDomain. 489 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown
  • Smithsonian Open Access API (api.si.edu)Rights field: content.descriptiveNonRepeating.metadata_usage.access. 1353504 matched · 40 examined · 23 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown

These figures describe the pass run at 2026-09-08 12:31 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.

Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.

An image file is a rights claim. It never travels without its field.