Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Lorenzo Veneziano” — 64 records examined, 24 dropped by the rights gate.
Archives queried 2026-09-01 16:34 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Madonna and Child Enthroned with Two Donors
Lorenzo Veneziano · ca. 1360–65

A Roman Emperor Meeting a Soldier
Artist not stated in the record · ca. 1520

Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck
Jacometto (Jacometto Veneziano) · ca. 1485–95

Saint Mark, seated on a Lion
Antonio Salamanca, Italian, ca. 1500 - 1562 · 1518

Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille
Jacometto (Jacometto Veneziano) · ca. 1485–95

Grotesque Ornament with Satyrs, from a set of twenty ornament panels
Antonio Salamanca, Italian, ca. 1500 - 1562 · ca. 1530–1535

Venus and Cupid
Lorenzo Lotto · 1520s

Saint John, writing, seated on an Eagle
Antonio Salamanca, Italian, ca. 1500 - 1562 · 1518

Design for an Antependium: The Madonna della Misericordia with Saints John the Baptist and John the Evangelist, the Circumcision, and the Presentation of the Virgin
Lorenzo Veneziano · ca. 1370

Elevation, Chapel and Alter of San Lorenzo Basilica
Giovanni Lorenzo Bernini, 1598 – 1680 · ca. 1660

Portrait of a Young Man
Jacometto (Jacometto Veneziano) · 1480s

Plan and Elevation of Cornaro Chapel, Basilica of San Lorenzo
Giovanni Lorenzo Bernini, 1598 – 1680 · ca. 1660

The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia) · ca. 1449

Plan and Elevation for Cornaro Chapel, San Lorenzo Basilica
Giovanni Lorenzo Bernini, 1598 – 1680 · ca. 1660

The Glorification of the Barbaro Family
Giovanni Battista Tiepolo · ca. 1750

Plan and Elevation for Chapel or Niche of San Lorenzo Basilica
Giovanni Lorenzo Bernini, 1598 – 1680 · ca. 1660

Saint Thecla Praying for the Plague-Stricken
Giovanni Battista Tiepolo · 1758–59

Elevation of the Fonsechi Chapel in San Lorenzo
Giovanni Lorenzo Bernini, 1598 – 1680 · ca. 1660

Head of a Bearded Man
Lorenzo Lotto · 1516–17

Philodendron kinsingeriae Croat
Artist not stated in the record · 11 Jul 2000

The Departure of the Gondola
Giovanni Domenico Tiepolo · mid-1760s

Philodendron sparreorum Croat
Artist not stated in the record · 15 Jul 2000

Saint Jerome in the Wilderness
Antonio Rossellino · ca. 1470

Gasteranthus villosus L.E. Skog & L.P. Kvist
Artist not stated in the record · 11 Jul 2000
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 35 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7785 matched · 40 examined · 24 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-01 16:34 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.