OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Louis-Joseph Le Lorrain, French, 1715–1759” — 42 records examined, 0 dropped by the rights gate.
Archives queried 2026-09-02 22:07 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Boudier d'Hercules
Louis Joseph Le Lorrain · 1756
Venus Genitrix: Fireworks
Artist not stated in the record · 1747
Architectural Capriccio with an Obelisk
Louis Joseph Le Lorrain · ca. 1750–59
Architectural Fantasy with Fountain and Obelisk
Louis-Joseph Le Lorrain, French, 1715–1759 · 1762
Architectural Capriccio with a Palace seen through a Triumphal Arch
Louis Joseph Le Lorrain · ca. 1750–59
Ruins with Vase, Herm, and Colonnade
Louis-Joseph Le Lorrain, French, 1715–1759 · mid-18th century
La Descente D'Ulysse Aux Enfers
Louis Joseph Le Lorrain · mid-18th century
Architectural Fantasy: A Circular Temple on a Truncated Pyramid
Louis-Joseph Le Lorrain, French, 1715–1759 · mid-18th century
Study for a Vase in a Suite of Vase Designs
Louis Joseph Le Lorrain
Ruin Fantasy
Louis-Joseph Le Lorrain, French, 1715–1759 · ca. 1762
Frontispiece for a Suite of Vase Designs
Louis Joseph Le Lorrain · mid-18th century
Page of Text, Printed on Recto and Verso
Louis-Joseph Le Lorrain, French, 1715–1759 · 1751
Seasons and Elements (Summer) (set of four)
Charles Le Brun · ca. 1683
Album of prints: Public Celebrations Given in Paris on the Occasions of the First and Second Marriages of Monseigneur le Dauphin in 1745 and 1747
Jean François Blondel, French, 1681–1756 · 1751
Seasons and Elements (Fire) (set of four)
Charles Le Brun · ca. 1683
Title Page
Charles Eisen, French, 1720–1778 · 1759–80
Seasons and Elements (Spring) (set of four)
Charles Le Brun · ca. 1683
NOUVEAUX TROPHÉES OU CARTOUCHES Représentant Les Arts et Les Sciences Composée avec les Artributs qui-les caractérisent INVENTÉS ET DÉDIÉS A MR MORLOT PEINTRE par Son Elève et Son Ami MARILLIER
Clément Pierre Marillier, French, 1740 – 1808 · 1759–80
Vignette for the first chant of Roland Furieux
C. Baquoy · 18th century
Four Tailpiece Designs
Charles Eisen, French, 1720–1778 · 1759–80
Seasons and Elements (Air) (set of four)
Charles Le Brun · ca. 1683
Eight Tailpiece Designs
Charles Eisen, French, 1720–1778 · 1759–80
The Death of Socrates
Jacques Louis David · 1787
NOUVEAUX TROPHÉES OU CARTOUCHES Représentant Les Arts et Les Sciences Composée avec les Artributs qui-les caractérisent INVENTÉS ET DÉDIÉS A MR MORLOT PEINTRE par Son Elève et Son Ami MARILLIER
Clément Pierre Marillier, French, 1740 – 1808 · 1759–80
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 28 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 18 matched · 18 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-02 22:07 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.