OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Ludovico Carracci” — 64 records examined, 6 dropped by the rights gate.
Archives queried 2026-08-27 03:14 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Lamentation
Ludovico Carracci · ca. 1582
Self-Portrait of A. N. Carracci
John Chamberlaine, English, 1745 - 1812 · 1796
Madonna and Child with Saints
Ludovico Carracci · 1607
Adoration of the Magi study after Lodovico Carracci
Felice Giani, Italian, 1758–1823 · 1800–1820
The Denial of Saint Peter
Ludovico Carracci · ca. 1616
The Facade of Modena Cath
Felice Giani, Italian, 1758–1823
The Conversion of Saint Paul
Ludovico Carracci · ca. 1587–89
Madonna and Child, Study after Lodovico Carracci
Felice Giani, Italian, 1758–1823 · 1815
The Last Communion of Saint Jerome
Ludovico Carracci · 1555–1619
Four Herms, Studies after the Carracci
Felice Giani, Italian, 1758–1823 · 1821–22
Two Children Teasing a Cat
Annibale Carracci
Blinded Soldier, Detail from the Conversion of St. Paul, Study after Agostino Carracci
Felice Giani, Italian, 1758–1823 · 1821–22
The Coronation of the Virgin
Annibale Carracci · after 1595
St. Anthony and the Hermits, Study after Lodovico Carracci
Felice Giani, Italian, 1758–1823 · ca. 1809–18
Samson Captured by the Philistines
Guercino (Giovanni Francesco Barbieri) · 1619
The Apostles Carrying the Body of the Virgin to the Tomb, Study after Lodovico Carracci
Felice Giani, Italian, 1758–1823 · 1813–18
Title page to IL FUNERALE D'AGOSTIN CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno; title inside a cartouche with a globe and stars at top and a grotesque mask at bottom
Francesco Brizio · 1603
Acanthus motif with two birds
Artist not stated in the record · 1589–1614
The Return from Egypt
Francesco Brizio · 1595–1623
Glauco and Scylla, study after Agostino Carracci
Felice Giani, Italian, 1758–1823 · 1821–22
The Return from Egypt
Francesco Brizio · 1595–1623
The Crucifixion, Study after Ludovica Carracci
Felice Giani, Italian, 1758–1823 · 1821–22
Saint Benedict exorcising a demon
Simone Cantarini · ca. 1637–39
Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after Massari
Felice Giani, Italian, 1758–1823 · 1821–22
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 41 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 59 matched · 40 examined · 6 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 03:14 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.