OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Luigi Vanvitelli, Italian, 1700 – 1773” — 33 records examined, 0 dropped by the rights gate.
Archives queried 2026-09-01 22:17 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Design for a Church Interior
Luigi Vanvitelli · 1700–1773
A Standing Man
Luigi Vanvitelli, Italian, 1700 – 1773 · 1700–1773
Design for the high altar of the Gesù Nuovo, Naples
Luigi Vanvitelli · 1700–1773
Standing Figure
Luigi Vanvitelli, Italian, 1700 – 1773 · 1700–1773
Design for a Theater Interior
Luigi Vanvitelli · 1700–1773
A Standing Man
Luigi Vanvitelli, Italian, 1700 – 1773 · 1700–1773
Design for an Altar
Luigi Vanvitelli · 1700–1773
Standing Woman
Luigi Vanvitelli, Italian, 1700 – 1773 · 1700–1773
Saint Peter Enthroned
Luigi Vanvitelli · 1700–73
Standing Laundress
Luigi Vanvitelli, Italian, 1700 – 1773 · 1700–1773
Detail study for the façade of Milan cathedral
Luigi Vanvitelli · 1700–1773
Figural Studies
Luigi Vanvitelli, Italian, 1700 – 1773 · 1700–1773
Project for a Chapel in the Church of San Ciriaco, Ancona
Luigi Vanvitelli · 1700–1773
Seated Woman
Luigi Vanvitelli, Italian, 1700 – 1773 · 1700–1773
Longitudinal Section of the Small Theater in the Palace at Caserta
Luigi Vanvitelli · 1700–1773
Standing Woman
Luigi Vanvitelli, Italian, 1700 – 1773 · 1700–1773
Transverse Section of the Small Theater in the Palace of Caserta with a View Towards the Royal Box
Luigi Vanvitelli · 1700–1773
Leaning Man
Luigi Vanvitelli, Italian, 1700 – 1773 · 1700–1773
Projection of Ceiling Over Plan of the Small Theater in the Palace at Caserta
Luigi Vanvitelli · 1700–1773
Elevation of a Wall Decoration for a Canonization Ceremony, St. Peter's, Rome, Italy
Luigi Vanvitelli, Italian, 1700 – 1773 · ca. 1745
Architectural Sketch for the design of a Wall with Doorway, with two smaller sketches for the design of windows or doorways (recto); Sketches for a plan and partial perspective view of ceiling (verso)
Luigi Vanvitelli · 1700–1773
Copy of Competition Design by Vanvitelli for the Facade of S. Giovanni in Laterano
Unknown, Italian · 1763, after a drawing of 1732
Façade of Palace decorated for the Marriage of the King of Naples to the Archduchess of Austria
Luigi Vanvitelli · 1700–73
Design for a Marble Throne for the Statue of St. Peter, St. Peter's, Rome
Luigi Vanvitelli, Italian, 1700 – 1773 · 1754
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 19 matched · 19 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 14 matched · 14 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-01 22:17 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.