Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Ma Yuan 馬遠 (active late 12th-early 13th century)” — 64 records examined, 1 dropped by the rights gate.
Archives queried 2026-09-04 20:45 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Viewing plum blossoms by moonlight
Ma Yuan · early 13th century

Two men and a water-buffalo
Formerly attributed to Ma Yuan 馬遠 (active late 12th-early 13th century) · 17th century

Scholar viewing a waterfall
Ma Yuan · early 13th century

Scholar approaching secluded pavilion
Formerly attributed to Ma Yuan 馬遠 (active late 12th-early 13th century) · 15th-16th century

Cicada on a Grapevine
Bokurin Guan · late 14th–early 15th century

Listening to a flute in a lakeside pavilion
Formerly attributed to Ma Yuan 馬遠 (active late 12th-early 13th century) · 17th century

The Jabach Family
Charles Le Brun · ca. 1660

Two gentlemen contemplating a waterfall
Formerly attributed to Ma Yuan 馬遠 (active late 12th-early 13th century) · 16th century

The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38

Travelers under willow trees
Formerly attributed to Ma Yuan 馬遠 (active late 12th-early 13th century) · 1279-1644

Conversation in a cave
Unidentified · 13th century

Viewing distant peaks from a mountain pavilion
Formerly attributed to Ma Yuan 馬遠 (active late 12th-early 13th century) · 15th century

The Demon Queller Zhong Kui Giving His Sister Away in Marriage
Yan Geng

Sitting under a pine
Traditionally attributed to Ma Yuan 馬遠 (active late 12th-early 13th century) · 15th-16th century

Album of Copies of Chinese Paintings
Kano Tsunenobu · 17th century

Looking at flowering plums and reading
Style of Ma Yuan 馬遠 (active late 12th-early 13th century) · 14th-15th century

Viewing the Moon under a Pine Tree
Ma Yuan · early 13th century

Pavilion on the hillside
Traditionally attributed to Ma Yuan 馬遠 (active late 12th-early 13th century) · 15th century

The Pleasures of Fishes
Zhou Dongqing · dated 1291

Landscape: pavilions on a mountain side; a stream below
Ma Yuan 馬遠 (active late 12th-early 13th century) · 16th century

Landscape
Zhao Yuan · late 14th century

Picnic on the Riverbank
Probably by Yuan Jiang (ca. 1694-1743) · 18th century

Farewell by a Stream on a Clear Day
Zhao Yuan · second half 14th century

Whiling Away the Summer in the Shade of Pines 《松陰消夏圖》
Zhe School 浙派 · 15th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 81 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 243 matched · 40 examined · 1 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-04 20:45 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.