Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Madame Unzelmann in the Part of "Nina"” — 64 records examined, 25 dropped by the rights gate.
Archives queried 2026-09-01 03:51 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
A Barber at Work and Men Waiting Their Turn
Nina de Garis Davies · 1922; original ca. 1427–1396 BCE

Madame Unzelmann in the Part of "Nina"
Artist not stated in the record · 1799

Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895)
Auguste Renoir · 1878

Madame Unzelmann in the Part of "Nina"
Artist not stated in the record · 1799

Young Lady in 1866
Edouard Manet · 1866

Photograph of Madam C.J. Walker
Artist not stated in the record · ca. 1912

Odalisque in Grisaille
Jean Auguste Dominique Ingres · ca. 1824–34

DECORATION EXTERIEURE DE L’EDIFICE DU CÔTÉ DE LA RIVIERE ELEVÉ AU MOIS D’AOUST 1739. Sur la Terrasse ou est placée la Statüe Equestre de Henry IV au Pont Neuf, a l’occasion du mariage de Madame de France et de Dom Philippe II Infant d’Espagne Sous les ordres de Monsieur Turgot Conseiller d’Etat, Prevost des Marchands et Messieurs les Echevins de la Ville de Paris. Sur les Desseins et Conduitte du Chevalier Servandony Architecte et Peintre du Roy.
Jacques-François Blondel, French, 1705–1774 · after 1739

The Cloisters Cross
Artist not stated in the record · ca. 1150–60

Portrait of Madame Lambert (Marie de Laubespine)
Artist not stated in the record · ca. 1698

The Spanish Singer
Edouard Manet · 1860

Tin for Madam C.J. Walker's Wonderful Hair Grower
Artist not stated in the record · 1910s - 1920s

A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865

Tin for Madam C.J. Walker's Hair and Scalp Preparation
Artist not stated in the record · 1940s - 1960s

L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911)
Vincent van Gogh · 1888–89

Badge from the National Convention of Madam C. J. Walker's Agents
Artist not stated in the record · 1917

Madame Marsollier and Her Daughter
Jean Marc Nattier · 1749

Tin for Madam C. J. Walker's Wonderful Hair Grower
Artist not stated in the record · 1920s

Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839)
Jean Auguste Dominique Ingres · 1823

Tin for Madam Walker Glossine and Pressing Oil
Artist not stated in the record · 1940s - 1960s

The Toilette of Venus
François Boucher · 1751

Two sets of bangles, part of a lehenga costume worn by Nina Davuluri in the Miss America 2014 pageant
Artist not stated in the record · before 2013

Madame de Wailly, née Adélaïde-Flore Belleville (1765–1838)
Augustin Pajou · 1789

Badge from Madam C.J. Walker convention
Artist not stated in the record · ca. 1920s
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 236 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7483684 matched · 40 examined · 24 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-01 03:51 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.