Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 16 shown for “Magnifying Glass” — 64 records examined, 44 dropped by the rights gate.
Archives queried 2026-09-06 17:01 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Man with a Magnifying Glass
Rembrandt (Rembrandt van Rijn) · early 1660s

Magnifying Glass
Artist not stated in the record · late 19th century

The Magnifying Glass
Toriyama Sekien · ca. 1775

Locket with dictionary
Artist not stated in the record · 19th century

Chimera (Bixie) (a); magnifying glass (b)
Artist not stated in the record · 1st century (a); 20th century (b)

Minnie Maddern Fiske
Arnold Genthe, 8 Jan 1869 - 9 Aug 1942 · c. 1920
![[Bearded Man with Magnifying Glass Examining a Manuscript], by Antoine-Samuel Adam-Salomon](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fph%2Fweb-large%2FDP111349.jpg&w=3840&q=75)
[Bearded Man with Magnifying Glass Examining a Manuscript]
Antoine-Samuel Adam-Salomon · 1870s

Designs for Painted Panels with Fortune and Jacques Necker
Claude-Louis Desrais, French, 1746–1816 · 1788–90

Reliquary Cross
Artist not stated in the record · ca. 1366–1400

Netsuke of Monkey Looking at a Fly through a Magnifying Glass
Artist not stated in the record · 19th century

Portrait of Francesco Bartolozzi, seated, holding a magnifying glass with printmaking tools and a plate on the desk behind him
Luigi Rados · 1827

Magnifying mirror
F. P., London · 1874–75

Lucas van Uffel (died 1637)
Anthony van Dyck · ca. 1622

Woman with a Pink
Rembrandt (Rembrandt van Rijn) · early 1660s

Prayer Bead with the Crucifixion and Jesus before Pilate
Artist not stated in the record · early 16th century

Prayer Bead with the Adoration of the Magi and the Crucifixion
Artist not stated in the record · early 16th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 42 matched · 24 examined · 8 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 76128 matched · 40 examined · 36 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.4 shown
These figures describe the pass run at 2026-09-06 17:01 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.