OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Marble cinerary urn” — 64 records examined, 9 dropped by the rights gate.
Archives queried 2026-08-27 18:00 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Marble cinerary urn
Artist not stated in the record · 1st half of 1st century CE
Design for a Candlestick
Michelangelo Buonarroti, Italian, 1475–1564 · 1520–30
Marble cinerary urn with lid
Artist not stated in the record · ca. 10 BCE–10 CE
Ornament Design, Cinerary Urn and Roman Standards
Michel Angelo Pergolesi, Italian, active ca. 1760–1801 · 1776
Marble cinerary urn in the form of a tree stump with leaves and grapes
Artist not stated in the record · ca. 1st century CE
Wood Engraving. Vignette.
Artist not stated in the record · 1800–1830
Marble cinerary chest
Artist not stated in the record · 1st century CE
Sepulchral Monument for Felice Fontana, Professor of Philosophy, Padua
Giuseppe Barberi, Italian, 1746–1809 · after 1795
Marble fragment of a cinerary urn
Artist not stated in the record · 1st half of 1st century CE
Three sepulchral monuments
Giuseppe Barberi, Italian, 1746–1809 · 1746-1809
Glass bowl fragment with later inscription
Artist not stated in the record · ca. 1st–3rd century CE
Stage Design, Interior of Temple
Artist not stated in the record · 19th century
Porphyry vessel with bearded masks
Artist not stated in the record · ca. late 1st century BCE‒early 2nd century CE
Drawing
Jacques Dumont, French, 1701 – 1781 · ca. 1760
Marble cinerary chest with lid
Artist not stated in the record · ca. 90–110 CE
Sepulchral Monument for Melchiore Cesarotti, Professor in Padua
Giuseppe Barberi, Italian, 1746–1809 · after 1795
Chimneypiece (cheminée)
François Joseph Belanger · 1784
Design for the Elevations of Sepulchral Monuments, Funeral Decorations for Louis XVI
Giuseppe Barberi, Italian, 1746–1809 · 1793
Terracotta cinerary urn
Artist not stated in the record · 2nd century BCE
Atrium of a Church to be Dedicated to St. George
Giuseppe Barberi, Italian, 1746–1809 · 18th century
Clock
Jean-Baptiste Lepaute · ca. 1775–80
Sepulchral monuments
Giuseppe Barberi, Italian, 1746–1809 · ca. 1795
Terracotta cinerary urn
Artist not stated in the record · 3rd century BCE
Urn
Artist not stated in the record · 19th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 97 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 6103 matched · 40 examined · 9 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 18:00 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.