OpenGlyph — Catalogue of the American Public DomainJurisdiction: United StatesRev. 2026.08
Images / art

Two archives, queried live.

Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 12 shown for “Marble cornice fragment” — 40 records examined, 8 dropped by the rights gate.

Archives queried 2026-08-28 03:29 UTC · fetched live for this request

Object
Public domainThe Met’s isPublicDomain field is true for this object.
CC0 (public-domain equivalent)Smithsonian’s metadata_usage.access reads CC0 — a waiver, not an expired term.
Not shownAnything failing its archive’s rights field is dropped server-side and never appears here.

The Metropolitan Museum of Art: HTTP 403 from collectionapi.metmuseum.org. Results from the remaining archive are shown unchanged — nothing is substituted for a source that did not answer.

Red Door, Marbleized Wall, by Frederick Crace, English, 1779–1859

Red Door, Marbleized Wall

Frederick Crace, English, 1779–1859 · 1815–22

CC0 (public-domain equivalent)Smithsonian
Frieze and Cornice Designs, by D. Antoine Pierretz, French, active 1647

Frieze and Cornice Designs

D. Antoine Pierretz, French, active 1647 · 1648

CC0 (public-domain equivalent)Smithsonian
Design for a Chimneypiece

Design for a Chimneypiece

Artist not stated in the record · 1780–1800

CC0 (public-domain equivalent)Smithsonian
Stagecoach, Pompeii, Italy, by Frederic Edwin Church, American, 1826–1900

Stagecoach, Pompeii, Italy

Frederic Edwin Church, American, 1826–1900 · April 1869

CC0 (public-domain equivalent)Smithsonian
Designs After Architecture Fragments, by Gilles-Marie Oppenord, French, 1672–1742

Designs After Architecture Fragments

Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761

CC0 (public-domain equivalent)Smithsonian
Designs After Architecture Fragments, by Gilles-Marie Oppenord, French, 1672–1742

Designs After Architecture Fragments

Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761

CC0 (public-domain equivalent)Smithsonian
Designs After Architecture Fragments, by Gilles-Marie Oppenord, French, 1672–1742

Designs After Architecture Fragments

Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761

CC0 (public-domain equivalent)Smithsonian
Designs After Architecture Fragments, by Gilles-Marie Oppenord, French, 1672–1742

Designs After Architecture Fragments

Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761

CC0 (public-domain equivalent)Smithsonian
Designs After Architecture Fragments, by Gilles-Marie Oppenord, French, 1672–1742

Designs After Architecture Fragments

Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761

CC0 (public-domain equivalent)Smithsonian
Design for a Chimneypiece

Design for a Chimneypiece

Artist not stated in the record · 1780–1800

CC0 (public-domain equivalent)Smithsonian
Design for a Chimneypiece

Design for a Chimneypiece

Artist not stated in the record · 1780–1800

CC0 (public-domain equivalent)Smithsonian
Design for a Chimneypiece, with Alternative Suggestions for the Overmantel Frame

Design for a Chimneypiece, with Alternative Suggestions for the Overmantel Frame

Artist not stated in the record · 1650–1700

CC0 (public-domain equivalent)Smithsonian
What was queried

Where these records came from.

Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.

  • The Met Collection API (Open Access)Rights field: isPublicDomain. HTTP 403 from collectionapi.metmuseum.org. No records from this archive are shown for this query.Unavailable
  • Smithsonian Open Access API (api.si.edu)Rights field: content.descriptiveNonRepeating.metadata_usage.access. 42846 matched · 40 examined · 8 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown

These figures describe the pass run at 2026-08-28 03:29 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.

Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.

An image file is a rights claim. It never travels without its field.