OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Marble disk with a herm of Dionysus in relief” — 64 records examined, 8 dropped by the rights gate.
Archives queried 2026-08-31 16:16 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Commode à vantaux
David Roentgen · ca. 1775–79 with later alterations
Arabesque Design for a Panel
Artist not stated in the record · ca. 1775
Marble disk with a herm of Dionysus in relief
Artist not stated in the record · 3rd quarter of 1st century CE
Design for a Sedan Chair
Artist not stated in the record · 1770–75
Marble relief with Hermes
Artist not stated in the record · 27 BCE–68 CE
Bacchus and Ariadne with Autumn and Victories and Three Roundels with Putti
Felice Giani, Italian, 1758–1823 · late 18th century
Chimneypiece (cheminée)
François Joseph Belanger · 1784
Chimneypiece Designs
Jean Berain, the elder, French, 1640-1711 · 1711
Ten marble fragments of the Great Eleusinian Relief
Artist not stated in the record · ca. 27 BCE–14 CE
Two Skewers with Caduceus Terminals
Artist not stated in the record · 19th century
Statue of Dionysos leaning on a female figure ("Hope Dionysos")
Pacetti, Vincenzo · 27 BCE–68 CE
George Scott Winslow
Edmonia Lewis, American, 1844 - 1907 · 1866
Relief with the Annunciation
Artist not stated in the record · ca. 1180–1200
Design for a Niche with a Buffet
Thomas Lainé, French, 1682 – 1739 · late 18th century
Marble grave stele with a family group
Artist not stated in the record · ca. 360 BCE
POELE dans le genre modern, à pans coupés, avec bas-relief, au choix des personnes
Louis Bosse, French, active ca. 1767 – 1777 · ca. 1791
Marble sarcophagus with the Triumph of Dionysos and the Seasons
Artist not stated in the record · ca. 260–270 CE
POELE dans le genre modern, à pans coupés, avec bas-relief, au choix des personnes
Louis Bosse, French, active ca. 1767 – 1777 · ca. 1791
Clock
Jean-Baptiste Lepaute · ca. 1775–80
POELE formant encoignure et orné de figures en bas-reliefs
Louis Bosse, French, active ca. 1767 – 1777 · ca. 1791
Marble female herm
Artist not stated in the record · 1st century CE
Pendant in Shape of Two Heads (Bacchus and Hermes) Back to Back
Unidentified · 100-200
Marble statue of Dionysus
Artist not stated in the record · 1st–2nd century CE
POELE formant encoignure et orné de figures en bas-reliefs
Louis Bosse, French, active ca. 1767 – 1777 · ca. 1791
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 513 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7483685 matched · 40 examined · 8 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-31 16:16 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.