OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Marble female herm” — 64 records examined, 4 dropped by the rights gate.
Archives queried 2026-08-31 11:45 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Drop-front desk (secrétaire à abattant or secrétaire en cabinet)
Adam Weisweiler · ca. 1787
Design for a Table
Claude Niquet, French, active ca. 1769 – after 1831 · late 18th century
Marble female herm
Artist not stated in the record · 1st century CE
Design for a Niche with a Buffet
Thomas Lainé, French, 1682 – 1739 · late 18th century
Commode
André Charles Boulle · ca. 1710–20
Carex scopulorum var. bracteosa (L.H. Bailey) F.J. Herm.
Artist not stated in the record · 28 Jul 1949
Jewish Woman of Algiers
Charles-Henri-Joseph Cordier · 1862
Three Herms, Studies after Carracci
Felice Giani, Italian, 1758–1823 · 1821–22
Statue of Dionysos leaning on a female figure ("Hope Dionysos")
Pacetti, Vincenzo · 27 BCE–68 CE
Four Herms, Studies after the Carracci
Felice Giani, Italian, 1758–1823 · 1821–22
Marble female figure
Artist not stated in the record · 4500–4000 BCE
Design for a Fork and Two Spoons
Unknown · late 16th century
Woman from the French Colonies
Charles-Henri-Joseph Cordier · 1861
Fork with Handle in the Form of a Female Herm
Artist not stated in the record · 1600 -1650
Marble herm
Artist not stated in the record · 1st or 2nd century CE
Interior Wall Elevations
François II de Poilly, French, 1666 – 1741 · 1696–1740
Marble female figure
Bastis Master · 2600–2400 BCE
Drawing
Felice Giani, Italian, 1758–1823
Pair of seven-light candelabra (candélabres or girandoles)
Artist not stated in the record · ca. 1790
Textile
Artist not stated in the record · ca. 1870
Kneeling Black woman
Artist not stated in the record · early 17th century
Phaethon rubricauda
Artist not stated in the record · 26 Apr 1923
Marble relief with Hermes
Artist not stated in the record · 27 BCE–68 CE
Sula sula
Artist not stated in the record · 26 Apr 1923
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 365 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 547145 matched · 40 examined · 2 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-31 11:45 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.