OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Marble funerary inscription” — 64 records examined, 17 dropped by the rights gate.
Archives queried 2026-09-05 23:25 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Commode à vantaux
David Roentgen · ca. 1775–79 with later alterations
Fragment of funerary pall
Artist not stated in the record · possibly 17th century
Drop-front desk (secrétaire à abattant or secrétaire en cabinet)
Martin Carlin · ca. 1776
Two Funerary Monument Designs
Henri Sallembier, French, ca. 1753 - 1820 · 1777
Marble funerary inscription
Artist not stated in the record · early 3rd century CE
Album of Designs for Architectural Details and Ornament
D. Antoine Pierretz, French, active 1647 · 1647-55
Marble funerary inscription
Artist not stated in the record · 2nd–3rd century CE
Design for Two Small Breakfast Tables
Angelo Mezzetti, Italian · early 19th century
Marble plaque with funerary inscription
Artist not stated in the record · 1st–2nd century CE
Lateral stretcher from the base of a funerary couch with Sogdian musicians and a dancer
Artist not stated in the record · 550-577
Marble plaque with funerary inscription
Artist not stated in the record · 1st–2nd century CE
Frontal from the base of a funerary couch with Sogdian musicians and dancers and Buddhist divinities
Artist not stated in the record · 550-577
Madame de Wailly, née Adélaïde-Flore Belleville (1765–1838)
Augustin Pajou · 1789
Epitaphe de marbre et bronze de Mr. le Baron de Bezenval (Epitaph in Marble and Bronze for Baron de Bezenval), plate 100, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier)
Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750 · 1748
Commode (one of a pair)
Jacques Dubois · ca. 1755
Mortar
Artist not stated in the record
Marble funerary lekythos
Artist not stated in the record · ca. 375–350 BCE
Design for a Sepulchral Monument for Three Brothers
Artist not stated in the record · 1590–1610
Marble sarcophagus with garlands
Artist not stated in the record · ca. 200–225 CE
William Hardy's Shop Card
Artist not stated in the record · 1794
Marble sarcophagus with the Triumph of Dionysos and the Seasons
Artist not stated in the record · ca. 260–270 CE
The Column from the Temple of Solomon
Nicolas Beatrizet, French, active in Rome, ca. 1515–65 · 1570–73
Marble grave stele with a family group
Artist not stated in the record · ca. 360 BCE
Project for a Sepulchral Monument
Artist not stated in the record · 1600–1625
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 941 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 17492 matched · 40 examined · 17 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-05 23:25 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.