OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Marble relief of a chisel and mallet” — 64 records examined, 24 dropped by the rights gate.
Archives queried 2026-08-28 09:46 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Commode à vantaux
David Roentgen · ca. 1775–79 with later alterations
George Scott Winslow
Edmonia Lewis, American, 1844 - 1907 · 1866
Marble relief of a chisel and mallet
Artist not stated in the record · 2nd century CE
Clock
Artist not stated in the record · ca. 1775
Commode
André Charles Boulle · ca. 1710–20
Mantel clock
Artist not stated in the record · ca. 1775
Stone Mason's Chisel
Artist not stated in the record · ca. 2051–2000 B.C.
Wall Decoration for Cosimo III de' Medici
Giovanni Battista Foggini, 1652 – 1725 · ca. 1690
Chimneypiece (cheminée)
François Joseph Belanger · 1784
Sala del Thorvaldsen, Rome
Franz Heinrich, German, 1802–1890 · 1845
Ten marble fragments of the Great Eleusinian Relief
Artist not stated in the record · ca. 27 BCE–14 CE
Design for a Pedestal and a Bowl, Intended for Execution in White and Rose Marbles for Marie Antoinette at St. Cloud
Unknown · 1780–1785
Clock
Jean-Baptiste Lepaute · ca. 1775–80
View of the Pulpit, Saint Sulpice, Paris (Second Project)
Charles de Wailly, French, 1729 – 1798 · 1789
Marble grave stele of a young woman and servant
Artist not stated in the record · ca. 400–390 BCE
Tomb Carving from the Museum at Athens, Greece
Frederic Edwin Church, American, 1826–1900 · April 14-25, 1869
Fragment of the marble stele (grave marker) of a hoplite (foot soldier)
Artist not stated in the record · ca. 525–515 BCE
Mortar
Artist not stated in the record
Bacchanal: A Faun Teased by Children
Gian Lorenzo Bernini · ca. 1616–17
Kourt King croquet game set mallets from Rock Rest Tourist Home
Artist not stated in the record · mid 20th century
Lion felling a bull, from a marble pediment
Artist not stated in the record · ca. 525–500 BCE
Design for Mantelpiece Reliefs, Noble Cabinet, Palazzo Altieri
Giuseppe Barberi, Italian, 1746–1809 · ca. 1789
Marble grave stele of a little girl
Artist not stated in the record · ca. 450–440 BCE
Triumphal Arch on an Ideal Piazza
Gaetano Frizzati, Italian · 1807
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 519 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 4047656 matched · 40 examined · 24 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 09:46 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.