OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Marble torso of Eros” — 64 records examined, 26 dropped by the rights gate.
Archives queried 2026-08-28 22:42 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Marble torso of Eros
Artist not stated in the record · 1st or 2nd century CE
Torso
Artist not stated in the record · 1st century
Marble torso of Eros
Praxiteles · 1st or 2nd century CE
Eros (Vatican no. 250), two views
William Page, born Albany, NY 1811-died Staten Island, NY 1885 · ca. 1849-1853
Torso
Auguste Rodin · modeled ca. 1877–78, cast 1979
Dicliptera eenii S. Moore
Artist not stated in the record · 11 May 2006
Marble head and torso of Athena
Artist not stated in the record · 1st–2nd century CE
Two Panels of Ornament Design
Charles Errard, French, c. 1601 - 1689 · 1664-1689
Bronze statue of Eros sleeping
Artist not stated in the record · 3rd–2nd century BCE
St.George and the Dragon by Raphael; Biblical Scene; Disposition by Caravaggio; Ero e Leandro; Love by Lambert Sustris; Spinning Girl by Domenico Fetti; Verso: Apollo and Muse by Poussin; Cupid by Corregio; St. Peter and St. John by Poussin; Madonna....
Felice Giani, Italian, 1758–1823
![The Farnese Table, by Jacopo [Giacomo] Barozzi da Vignola](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fes%2Fweb-large%2FDP-42913-001.jpg&w=3840&q=75)
The Farnese Table
Jacopo [Giacomo] Barozzi da Vignola · ca. 1565–73
Design for Wall Decoration, Pompeiian Room, Palazzo Altieri, Rome
Felice Giani, Italian, 1758–1823 · 1792
Rosso antico torso of a centaur
Artist not stated in the record · 1st–2nd century CE
Fan
Unidentified · 1775-1800
Fragments of a marble statue of the Diadoumenos (youth tying a fillet around his head)
Polykleitos · ca. 69–96 CE
Tile
Grueby Faience Company, Revere, Massachusetts, 1895–1908 · ca. 1905
Marble statue of Herakles seated on a rock
Artist not stated in the record · 1st or 2nd century CE
drapery study for costumed male torso
Elihu Vedder, American, 1836 – 1923 · ca. 1890
Marble sarcophagus with garlands
Artist not stated in the record · ca. 200–225 CE
Drawing
Fedele Fischetti, Italian, born Naples, Italy 1732-died Naples, Italy 1792
The Triumph of Love over Time
Jean-Baptiste Lepaute · ca. 1780–90
Anatomical Sketches of Heads and Torsos
Frederic Edwin Church, American, 1826–1900 · 1877–80
Marble relief fragment with the torso of a Hesperid holding apples
Artist not stated in the record · 1st–2nd century CE
Corsetted Female Torso
Artist not stated in the record · late 19th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 201 matched · 24 examined · 4 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2859869 matched · 40 examined · 22 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 22:42 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.