OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Marble two-sided relief” — 64 records examined, 5 dropped by the rights gate.
Archives queried 2026-08-29 08:27 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Commode à vantaux
David Roentgen · ca. 1775–79 with later alterations
Architectural Details in Classical and Pseudo-Classical Style
Romolo Achille Liverani, Italian, 1809 - 1872 · ca. 1840
Mantel clock with musical movement
Jean-Baptiste-André Furet · ca. 1784
Triumphal Arch on an Ideal Piazza
Gaetano Frizzati, Italian · 1807
Drop-front desk (secrétaire à abattant or secrétaire en cabinet)
Martin Carlin · ca. 1776
Design for a Pedestal and a Bowl, Intended for Execution in White and Rose Marbles for Marie Antoinette at St. Cloud
Unknown · 1780–1785
Marble two-sided relief
Artist not stated in the record · 1st century CE
Black Basalt Bulb Pot
Wedgwood, English, established 1759 · 1780–1800
Drop-front desk (secrétaire à abattant or secrétaire en cabinet)
Martin Carlin · ca. 1773
Wall Decoration for Cosimo III de' Medici
Giovanni Battista Foggini, 1652 – 1725 · ca. 1690
Side table (commode servante or commode desserte)
Jean Henri Riesener · ca. 1790
Hall stand
Coalbrookdale Company, Coalbrookdale, Shropshire, England, founded 1709 · ca. 1875
Commode
John Mayhew · ca. 1770
Jar and cover
Artist not stated in the record · 1780–90
Commode
Charles Cressent · ca. 1745–49
Tomb Carving from the Museum at Athens, Greece
Frederic Edwin Church, American, 1826–1900 · April 14-25, 1869
Commode (one of a pair)
Jacques Dubois · ca. 1755
Design for a Candlestick
Luigi Righetti, Italian, 1780 - 1819 · 1810
Clock
Jean-Baptiste Lepaute · ca. 1775–80
"Un des cotes du Pavillon orchestre dans le Jardin des Tuileries, en Juillet 1838"
Félix Duban, French, 1797 - 1870 · 1838
Commode
Claude-Charles Saunier · ca. 1780–90
View of the Pulpit, Saint Sulpice, Paris (Second Project)
Charles de Wailly, French, 1729 – 1798 · 1789
Writing and dressing table
Martin Carlin · ca. 1785
Design for the North Portal, Grand Gallery, Villa Albani, Rome, Italy
Carlo Marchionni, Italian, 1702–1786 · ca. 1755
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 1256 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 307 matched · 40 examined · 5 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-29 08:27 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.