OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Marcantonio Franceschini” — 46 records examined, 2 dropped by the rights gate.
Archives queried 2026-09-02 08:12 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Last Communion of Saint Mary of Egypt
Marcantonio Franceschini · 1680
Portrait of Marcantonio Franceschini (1648-1729)
Artist not stated in the record · ca. 1750
The Birth of Adonis
Marcantonio Franceschini · ca. 1684
Minerva, Mercury, Juno and Venus on Clouds, Study after Marcantonio Franceschini
Felice Giani, Italian, 1758–1823 · 1821–22
Saint Luke Holding a Painting of the Virgin and Child
Marcantonio Franceschini · 1648–1729
Madonna and Child in Glory, Study after Mastelletta; Angel Gabriel Driving Lucifer from Heaven, Study after Marcantonio Franceschini
Felice Giani, Italian, 1758–1823 · 1821–22
Allegorical Figure of Purity with a Unicorn
Marcantonio Franceschini · 1688–89
Apollo with Lyre, Fame, Abundance, Beauty and Two Putti on Clouds, Study after Marcantonio Franceschini
Felice Giani, Italian, 1758–1823 · 1821–22
Allegorical Figure of Charity
Marcantonio Franceschini · 1688–89
Saint in Ecstacy, After Franceschini; Classicized Version of Vision of St. Catherine of Vigri, Study after Franceschini
Felice Giani, Italian, 1758–1823 · 1821–22
Allegorical Figure of Faith
Marcantonio Franceschini · 1648–1729
A Vignette, Referring to the Arts, in Two States
Giovanni Domenico Campiglia, Italian, 1692 - 1775 · ca. 1730
Saint Lawrence Standing and Holding the Grill, Instrument of His Martyrdom
Marcantonio Franceschini · ca. 1715
Head of Christ
Marc Antonio Franceschini, Italian, 1648 – 1729 · 1700–29
Cartoon Fragment for Adolescent Angel Leaning on a Tablet or Closed Book
Marcantonio Franceschini · ca. 1690–95
Hymenachne pernambucensis (Spreng.) Zuloaga
Artist not stated in the record · 20 Jan 2000
God with musical angels and cherubim
Violante Vanni · 1774
Schizachyrium condensatum (Kunth) Nees
Artist not stated in the record · 20 Jan 2000
Embriaco Rejecting the Spoils, from: Forme Picturarum Archetypae
Lorenzo Lorenzi · 1774
Cyperus odoratus L.
Artist not stated in the record · 19 Jan 2000
Latona and her sleeping twins, Apollo and Diana, within a landscape
Francesco Antonio Meloni · 1705
A Vignette, Referring to the Arts, in Two States
Giovanni Domenico Campiglia, Italian, 1692 - 1775 · ca. 1730
Sleeping Venus with Cupid in her lap
Quirin Mark · 1783
Design for a Ceiling Painting, Venus, Cupid, and Putti
Marc Antonio Franceschini, Italian, 1648 – 1729 · 1700–29
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 26 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 22 matched · 22 examined · 2 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-02 08:12 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.