OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Marcantonio Raimondi” — 60 records examined, 3 dropped by the rights gate.
Archives queried 2026-08-26 20:19 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
Marcantonio Raimondi · ca. 1510–20
Portrait of Marcantonio Franceschini (1648-1729)
Artist not stated in the record · ca. 1750
Adam and Eve flanked by two trees, a town in the background
Marcantonio Raimondi · ca. 1512–14
Minerva, Mercury, Juno and Venus on Clouds, Study after Marcantonio Franceschini
Felice Giani, Italian, 1758–1823 · 1821–22
Descent from the Cross
Jean Goujon · ca. 1555
Madonna and Child in Glory, Study after Mastelletta; Angel Gabriel Driving Lucifer from Heaven, Study after Marcantonio Franceschini
Felice Giani, Italian, 1758–1823 · 1821–22
A Bacchanal, Silenus supported by two bacchants in the centre, at right a female satyr reclining on a bed and another pulling the horns on a statue of Priapus, various other figures fill the composition
Marcantonio Raimondi · ca. 1510–13
Apollo with Lyre, Fame, Abundance, Beauty and Two Putti on Clouds, Study after Marcantonio Franceschini
Felice Giani, Italian, 1758–1823 · 1821–22
A Bacchanal; Silenus supported by two bacchants in the center, at left a female satyr reclining on a bed and another holding onto the horns on a statue of Priapus while she tries to impale herself on his phallus, with various other figures
Marcantonio Raimondi · ca. 1510–13
Bomarea praeusta Kraenzl.
Artist not stated in the record · 18
The Holy Trinity
Marcantonio Raimondi · ca. 1500–27
Allegorical Figure of Faith
Artist not stated in the record · ca. 1500
Satyr and Nymph
Marcantonio Raimondi · ca. 1500–34
Solanum dolichocremastrum Bitter
Artist not stated in the record · 20 Apr 1978
Standing Male Nude
Marcantonio Raimondi · ca. 1506
Solanum dolichocremastrum Bitter
Artist not stated in the record
Mars seated at the left, his left hand on Venus's shoulder, cupid beside her at the right
Marcantonio Raimondi · 1508
Solanum dolichocremastrum Bitter
Artist not stated in the record · 15 Apr 1978
Thisbe finding Pyramus laying on the ground with a knife in his chest
Marcantonio Raimondi · 1505
Solanum dolichocremastrum Bitter
Artist not stated in the record · 20 Apr 1978
Mars seated at the left, his left hand on Venus's shoulder, cupid beside her at the right
Marcantonio Raimondi · 1508
Solanum dolichocremastrum Bitter
Artist not stated in the record · 15 Apr 1978
A naked man at left showing an axe to a woman at right
Marcantonio Raimondi · ca. 1510–27
Apollo on Parnassus
Artist not stated in the record · ca. 1520
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 349 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 36 matched · 36 examined · 3 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-26 20:19 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.