OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Medallion with Christ from an Icon Frame” — 64 records examined, 1 dropped by the rights gate.
Archives queried 2026-08-26 20:41 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Medallion with Christ from an Icon Frame
Artist not stated in the record · ca. 1100
Byzantine-Style Mosaic Necklace with Christ and Twelve Apostles
Unidentified (Murano, Venice, Italy) · 1870s-1910s
Medallion with Saint Peter from an Icon Frame
Artist not stated in the record · ca. 1100
Design for the Base of the Silver Crucifix for the High Altar of Saint Peter's, Rome, Italy
Carlo Spagna, Italian, ca. 1641 - 1680 · 1670–72
Medallion with Saint George from an Icon Frame
Artist not stated in the record · ca. 1100
Ornamental Medallion Design
Pierre Ranson, French, 1736–1786 · 1759–80
Medallion with Saint Luke from an Icon Frame
Artist not stated in the record · ca. 1100
Design for a Baptismal Font
Giuseppe Barberi, Italian, 1746–1809 · ca. 1775
Medallion with Saint Matthew from an Icon Frame
Artist not stated in the record · ca. 1100
Icon
Ethiopian Orthodox · 18th century
Medallion with Saint Paul from an Icon Frame
Artist not stated in the record · ca. 1100
Icon
Ethiopian Orthodox · Late 17th century
Medallion with the Virgin from an Icon Frame
Artist not stated in the record · ca. 1100
Panel Design with the Virgin Mary, Jesus, and Saint John
Jean Le Pautre, French, 1618–1682 · 1654
Medallion with Saint John the Baptist from an Icon Frame
Artist not stated in the record · ca. 1100
Design for the Decorations of Five Pilaster Strips
Giuseppe Barberi, Italian, 1746–1809 · ca. 1790
Medallion with Saint John the Evangelist from an Icon Frame
Artist not stated in the record · ca. 1100
Ornamental Medallion Design
Pierre Ranson, French, 1736–1786 · 1759–80
Cameo of the Virgin and Child
Adrien Jean Maximilien Vachette · ca. 1050–1100 (cameo); ca. 1800 (frame)
Ornament Design with Hercules
François de Poilly, French, 1622 - 1693 · 1669–93
Tapestry Room from Croome Court
Robert Adam · 1763–71
Sidewall
Artist not stated in the record · 1880–90
Amulet Carved in Intaglio (Incised)
Artist not stated in the record · 6th–7th century
Icon
Ethiopian Orthodox · 17th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 731 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 616005 matched · 40 examined · 1 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-26 20:41 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.