Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Menat counterpoise with figures of Hathor as a woman and a cow” — 64 records examined, 15 dropped by the rights gate.
Archives queried 2026-08-27 05:17 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Menat counterpoise with figures of Hathor as a woman and a cow
Artist not stated in the record · ca. 1386–1347 BCE

Fragments
Artist not stated in the record · 18th century

Jewish Woman of Algiers
Charles-Henri-Joseph Cordier · 1862

Women doing washing near a cow-herd
Jean-Baptiste Huet, French, 1745 – 1811 · ca. 1800

Woman from the French Colonies
Charles-Henri-Joseph Cordier · 1861

Figures in a Landscape
François Boucher, French, 1703–1770 · 1751

Mirror with Handle in the Form of a Hathor Emblem
Artist not stated in the record · ca. 1479–1425 BCE

Embroidered picture
Artist not stated in the record · early 19th century

Menat counterpoise for attachment to the missing aegis of a goddess
Artist not stated in the record · ca. 800–525 BCE

Pot-à-Oille (Design for a Tureen with Handle for the Empress Josephine), plate 46, in Recueil de decorations intérieures (Collection of Interior Decorations)
Charles Percier, French, 1764–1838 · 1812

Saddle
Artist not stated in the record · ca. 1400–1420

Figures near a Ruined Colonnade
Charles-Louis Clérisseau, French, 1721 – 1820 · 1761

Paddle Doll
Artist not stated in the record · ca. 2030–1802 B.C.

Textile
Artist not stated in the record · 19th century

Scarab with Hathor emblem
Artist not stated in the record · ca. 1550–1425 BCE

Mountain Landscape with a Cow, Mexico
Frederic Edwin Church, American, 1826–1900 · 1883–1884

Sistrum Inscribed with the Names of King Teti
Artist not stated in the record · ca. 2323–2291 BCE

Title Page
François de Cuvilliés the Elder, Belgian, 1695 - 1768 · 1731–68

Head of a woman
Artist not stated in the record · 332–290 BCE

Figure and Architectural Sketches with a Boat
Frederic Edwin Church, American, 1826–1900 · 1868

Cow's Head from a frontal representation of a cow emerging from a wall
Artist not stated in the record · 664–610 BCE

A Pair of Scissors with Handles Formed by Half-figures of Women with Rinceaux as Legs
Artist not stated in the record · 1815–50

Yuny and His Wife Renenutet
Artist not stated in the record · ca. 1299–1290 BCE

Sampler
Artist not stated in the record · ca. 1760
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 49 matched · 24 examined · 3 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 4074262 matched · 40 examined · 12 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 05:17 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.