OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Minerva and Mercury” — 64 records examined, 10 dropped by the rights gate.
Archives queried 2026-09-02 13:20 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Scent bottle with Minerva and Mercury
Artist not stated in the record · ca. 1765–1770
Minerva and Mercury
Artist not stated in the record · 1787
Mercury
Haly workshop · last half 18th century
Minerva, Mercury, Juno and Venus on Clouds, Study after Marcantonio Franceschini
Felice Giani, Italian, 1758–1823 · 1821–22
Minerva
Clodion (Claude Michel) · 1766
Louis XVI restaurateur de la liberte
Jean-Baptiste Huët, French, 1745–1811 · 1789
Minerva
Jean Limosin · ca. 1605
Suite of 7 Ornamental Designs with the Judgement of Paris
Adriaen Collaert, Flemish, ca. 1560 – 1618 · ca. 1690
Minerva and Mercury
Domenico Marchetti · March 1, 1787
Designs for Gobelins Tapestry, October (Les Mois Grotesques par Bandes)
Claude Audran III, French, 1658 - 1734 · 1709–10
Minerva and Mercury Arming Perseus
Jan Muller · 1604
Designs for Gobelins Tapestry, June (Les Mois Grotesques par Bandes)
Claude Audran III, French, 1658 - 1734 · 1709–10
Minerva and Mercury Arming Perseus
Jan Muller · 1604
Designs for Gobelins Tapestry, April (Les Mois Grotesques par Bandes)
Claude Audran III, French, 1658 - 1734 · 1709–10
Plate with a hunting scene from the tale of Bahram Gur and Azadeh
Artist not stated in the record · ca. 5th century CE
Ida Minerva Tarbell
Samuel Johnson Woolf, 12 Feb 1880 - 3 Dec 1948 · 1937
Rhyton terminating in the forepart of a wild cat
Artist not stated in the record · ca. 1st century BCE
Ida Minerva Tarbell
Clara Sipprell, 31 Oct 1885 - 27 Dec 1975 · c. 1940
Armlet for an Image with Crossed Vajras
Artist not stated in the record · 17th–19th century
Minerva Chapman Self-Portrait
Minerva Josephine Chapman, 1858 - 1947 · 1906
Glass 'Mercury' bottle
Artist not stated in the record · 2nd–3rd century CE
Sheet from a Sketchbook: Minerva Asking Jupiter for the Happiness of Ulysses or Minerva Questions Jupiter on the Destiny of Ithaca
Felice Giani, Italian, 1758–1823 · 1802–05
Glass 'Mercury' bottle
Artist not stated in the record · 3rd century CE
Sheet from a Sketchbook: Minerva Orders Ulysses to Make Peace with the Suitors of Penelope (Minerva induce Ulisse alla pace con i Proci)
Felice Giani, Italian, 1758–1823 · before 1805
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 672 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1463823 matched · 40 examined · 10 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-02 13:20 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.