OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Model of a Baptistry or Church” — 64 records examined, 28 dropped by the rights gate.
Archives queried 2026-09-05 08:39 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Hercules and the Erymanthian boar
Giambologna · Late 17th or 18th century
Model of a Baptistry or Church
Artist not stated in the record · 1782
Francesco I de' Medici, grand duke of Tuscany
Giambologna · modeled 1585–87, cast ca. 1611
Standing Bedouin Figure
Frederic Edwin Church, American, 1826–1900 · 1869 - 1870
Portal from the Church of San Leonardo al Frigido
Biduinus · ca. 1175
Foot Warmer Patent Model
Artist not stated in the record · 1862-06-10
Trotting horse
Giambologna · probably 1587–91
Model of a Renaissance Church
Artist not stated in the record · 1600–1700
Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family
Master of the Dinteville Allegory · 1537
George H. Grant's 1874 School Seat Patent Model
Artist not stated in the record · 1874
Baptism of Christ
Alessandro Algardi · second half of the 17th century
Altar Design
D. Antoine Pierretz, French, active 1647 · 1647-55
The Penitence of Saint Jerome
Joachim Patinir · ca. 1515
Altar Design
D. Antoine Pierretz, French, active 1647 · 1647-55
Doorway from the Church of San Nicolò, San Gemini
Artist not stated in the record · carved 1000s, assembled 1100s or 1200s
Standing Bedouin Figure
Frederic Edwin Church, American, 1826–1900 · 1869-1870
Fortuna
Giambologna · 17th-18th Century (?)
Standing Bedouin Figure with Knife Drawn
Frederic Edwin Church, American, 1826–1900 · 1869-1870
Two wall sconces (Bras de cheminée)
Jean-Claude Duplessis · ca. 1761
Standing Bedouin Figure
Frederic Edwin Church, American, 1826–1900 · 1869 - 1870
David and Goliath
Francesco Fanelli · 17th century cast
Seated Bedouin Figure
Frederic Edwin Church, American, 1826–1900 · 1869-1870
The Denial of Saint Peter
Caravaggio (Michelangelo Merisi) · 1610
Two Bedouins
Frederic Edwin Church, American, 1826–1900 · March 1874
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 4406 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3878938 matched · 40 examined · 27 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-05 08:39 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.