OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 20 shown for “Model of a Granary with Scribes” — 64 records examined, 36 dropped by the rights gate.
Archives queried 2026-08-26 22:40 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Model of a Granary with Scribes
Artist not stated in the record · ca. 1981–1975 B.C.
Granaries, Mexico
Frederic Edwin Church, American, 1826–1900 · February 25, 1890
Scribes from Meketre's Model Granary
Artist not stated in the record · ca. 1981–1975 B.C.
Dove Houses, Mexico
Frederic Edwin Church, American, 1826–1900 · February 21 and 24, 1890
Granary Tower
Artist not stated in the record · 1st–early 3rd century
Scribe Set
Artist not stated in the record · 1860–80
Hercules and the Erymanthian boar
Giambologna · Late 17th or 18th century
Sampler
Artist not stated in the record · 1828
Francesco I de' Medici, grand duke of Tuscany
Giambologna · modeled 1585–87, cast ca. 1611
Carpenter's scribe
Artist not stated in the record · 18th century
Trotting horse
Giambologna · probably 1587–91
Granary of Prince Ruspoli in Cerveteri
Giuseppe Barberi, Italian, 1746–1809 · 1780-1795
Model of a Porch and Garden
Artist not stated in the record · ca. 1981–1975 B.C.
Venus Admonishing Cupid
Artist not stated in the record · ca. 1820
Minerva
Clodion (Claude Michel) · 1766
Letter to Charles Humbert Marie Vincent signed by Toussaint Louverture
Artist not stated in the record · October 21, 1797
Model of a granary with scribe and overseer
Artist not stated in the record · ca. 2030–1850 B.C.
Haremhab as a Scribe of the King
Artist not stated in the record · ca. 1328–1314 BCE
The Rape of Europa and Mercury and the Three Graces
Lambertus Vrythoff · case ca. 1645, movement ca. 1750
Two wall sconces (Bras de cheminée)
Jean-Claude Duplessis · ca. 1761
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 5682 matched · 24 examined · 4 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3879163 matched · 40 examined · 32 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.8 shown
These figures describe the pass run at 2026-08-26 22:40 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.