OpenGlyph — Catalogue of the American Public DomainJurisdiction: United StatesRev. 2026.08
Images / art

Two archives, queried live.

Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 21 shown for “Monk Saigyō” — 50 records examined, 24 dropped by the rights gate.

Archives queried 2026-08-29 07:58 UTC · fetched live for this request

Object
Public domainThe Met’s isPublicDomain field is true for this object.
CC0 (public-domain equivalent)Smithsonian’s metadata_usage.access reads CC0 — a waiver, not an expired term.
Not shownAnything failing its archive’s rights field is dropped server-side and never appears here.
Three Poems from the Later Collection of Japanese Poems (Gosen wakashū), by Monk Saigyō

Three Poems from the Later Collection of Japanese Poems (Gosen wakashū)

Monk Saigyō · late 12th century

Public domainThe Met
Preparatory sketch for The Courtesan Eguchi as the Bodhisattva Fugen and the Monk Saigyo, by Katsushika Hokusai 葛飾北斎 (1760-1849)

Preparatory sketch for The Courtesan Eguchi as the Bodhisattva Fugen and the Monk Saigyo

Katsushika Hokusai 葛飾北斎 (1760-1849) · ca. 1806-1811

CC0 (public-domain equivalent)Smithsonian
Writing Box (Suzuribako) with “Dream in Naniwa” Design

Writing Box (Suzuribako) with “Dream in Naniwa” Design

Artist not stated in the record · 18th century

Public domainThe Met
Snipe Over a Marsh from the Three Dusks, by Kano Tan'yu 狩野探幽 (1602-1674)

Snipe Over a Marsh from the Three Dusks

Kano Tan'yu 狩野探幽 (1602-1674) · 1665

CC0 (public-domain equivalent)Smithsonian
A Young Man and Woman with a Shamisen; Monk Saigyō, from a series alluding to the Three Evening Poems (Sanseki waka), by Suzuki Harunobu

A Young Man and Woman with a Shamisen; Monk Saigyō, from a series alluding to the Three Evening Poems (Sanseki waka)

Suzuki Harunobu · ca. 1768

Public domainThe Met
The left arm of a monk and his left hand

The left arm of a monk and his left hand

Artist not stated in the record · 1850–1900

CC0 (public-domain equivalent)Smithsonian
Ten Verses on Oxherding

Ten Verses on Oxherding

Artist not stated in the record · 1278

Public domainThe Met
Ada Monk, by José María Mora, c. 1847 - 18 Oct 1926

Ada Monk

José María Mora, c. 1847 - 18 Oct 1926 · c. 1880-85

CC0 (public-domain equivalent)Smithsonian
Courtesan of Eguchi, by Katsukawa Shunshō 勝川春章

Courtesan of Eguchi

Katsukawa Shunshō 勝川春章 · painting:1770−80; inscription: 1820s–30s

Public domainThe Met
A Praying Monk

A Praying Monk

Artist not stated in the record · 1800–1830

CC0 (public-domain equivalent)Smithsonian
The Thirty-Six Poetic Immortals, by Sakai Hōitsu

The Thirty-Six Poetic Immortals

Sakai Hōitsu · 1824

Public domainThe Met
Scenes from Life of San Giovanni Gualberto, by Jan van der Straet, called Stradanus, Flemish, 1523–1605

Scenes from Life of San Giovanni Gualberto

Jan van der Straet, called Stradanus, Flemish, 1523–1605 · 1590s

CC0 (public-domain equivalent)Smithsonian
Scene from The Narrow Road to the Deep North, by Yosa Buson

Scene from The Narrow Road to the Deep North

Yosa Buson · ca. 1780

Public domainThe Met
Piano bench owned and used by Thelonious Monk

Piano bench owned and used by Thelonious Monk

Artist not stated in the record · 1962

CC0 (public-domain equivalent)Smithsonian
Courtesan and her Attendants under a Willow Tree, by Unchō

Courtesan and her Attendants under a Willow Tree

Unchō · 1796

Public domainThe Met
In St. Peter’s, Rome, by Arnold William Brunner, American, 1857–1925

In St. Peter’s, Rome

Arnold William Brunner, American, 1857–1925 · ca. 1881

CC0 (public-domain equivalent)Smithsonian
“Mount Utsu” (Utsu no yama), from The Tales of Ise (Ise monogatari), by Tawaraya Sōtatsu

“Mount Utsu” (Utsu no yama), from The Tales of Ise (Ise monogatari)

Tawaraya Sōtatsu · ca. 1634

Public domainThe Met
Old Monk, by Arnold William Brunner, American, 1857–1925

Old Monk

Arnold William Brunner, American, 1857–1925 · 1883

CC0 (public-domain equivalent)Smithsonian
Untitled (Study of a Standing Monk), by Ida Josephine Burgess, born Chicago, IL1855-died New York City 1934

Untitled (Study of a Standing Monk)

Ida Josephine Burgess, born Chicago, IL1855-died New York City 1934 · 1886

CC0 (public-domain equivalent)Smithsonian
Bodhisattvas and Monks, from Cave 224, by Unidentified

Bodhisattvas and Monks, from Cave 224

Unidentified · 4th-6th century

CC0 (public-domain equivalent)Smithsonian
Two Monks, from Cave 224, by Unidentified

Two Monks, from Cave 224

Unidentified · 4th-6th century

CC0 (public-domain equivalent)Smithsonian
What was queried

Where these records came from.

Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.

  • The Met Collection API (Open Access)Rights field: isPublicDomain. 10 matched · 10 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.9 shown
  • Smithsonian Open Access API (api.si.edu)Rights field: content.descriptiveNonRepeating.metadata_usage.access. 634 matched · 40 examined · 23 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown

These figures describe the pass run at 2026-08-29 07:58 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.

Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.

An image file is a rights claim. It never travels without its field.