OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 22 shown for “Moorish king” — 55 records examined, 30 dropped by the rights gate.
Archives queried 2026-08-27 01:28 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Moorish king
Artist not stated in the record · second half 18th century
A Moorish Arch
Lelia Huffman · 1911
Cittern
Joachim Tielke · ca. 1685
![Design for a Moorish Smoking Room [Tabagie], by Léon Feuchère, French, 1804 - 1857](/_next/image?url=https%3A%2F%2Fids.si.edu%2Fids%2Fdownload%3Fid%3DCHSDM-7452-2-2011MattFlynn.jpg&w=3840&q=75)
Design for a Moorish Smoking Room [Tabagie]
Léon Feuchère, French, 1804 - 1857 · ca. 1844
King's Moorish attendant
Artist not stated in the record · second half 18th century
Design for a wall panel in Moorish Style
J.D. Woodward · about 1894
King's Moorish attendant
Artist not stated in the record · second half 18th century
Figure of a Moor
Carlo Ascenzi, Italian, n.d. · 1882
The Adoration of the Magi
Gerard David · ca. 1520
A Moorish Smoking Room
Emmanuel Coulange-Lautrec, French, 1824 – 1898 · 1856
Angelica and Medoro
François Boucher · 1763
Prophet Noble Drew Ali, Founder of Moorish Science Temple of America
Artist not stated in the record · 1925
Eared Dagger
Artist not stated in the record · 1540
Moorish
Artist not stated in the record · 1875–1906
The Conquest of Naples by Charles of Durazzo
Master of Charles of Durazzo · 1381–82
Sidewall
Artist not stated in the record · 1875–1906
The Adoration of the Magi
Quinten Massys · 1526
Sidewall
Frederick Beck & Co., 1860 · 1890–1920
Khamsa (Quintet) of Nizami of Ganja
Nizami · 853 AH/1449–50 CE
Design for a Woven Textile
Artist not stated in the record · 1820–1860
Ceiling
Artist not stated in the record · 1450–1500
The Adoration of the Magi
Hieronymus Bosch · ca. 1475
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 15 matched · 15 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 62860 matched · 40 examined · 30 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.10 shown
These figures describe the pass run at 2026-08-27 01:28 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.